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Polly Kelsall

Material/Control - exhibition at the Control Room, Bristol. 3 Bristol artists (Hoyle, Kelsall and Krainc) spent 1 week in the Control Room, Bristol in October 2015. We responded to the building and to each other's work following these parameters:. On leaving the space each day, anything made or left belongs to Material/Control. Each edit must reference the space, it's contents and/or it's environment. Make new connections between objects, images and works. Nothing will be permanent. Ecosystems,precarious...

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Polly Kelsall | pollykelsall.blogspot.com Reviews
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Material/Control - exhibition at the Control Room, Bristol. 3 Bristol artists (Hoyle, Kelsall and Krainc) spent 1 week in the Control Room, Bristol in October 2015. We responded to the building and to each other's work following these parameters:. On leaving the space each day, anything made or left belongs to Material/Control. Each edit must reference the space, it's contents and/or it's environment. Make new connections between objects, images and works. Nothing will be permanent. Ecosystems,precarious...
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Polly Kelsall | pollykelsall.blogspot.com Reviews

https://pollykelsall.blogspot.com

Material/Control - exhibition at the Control Room, Bristol. 3 Bristol artists (Hoyle, Kelsall and Krainc) spent 1 week in the Control Room, Bristol in October 2015. We responded to the building and to each other's work following these parameters:. On leaving the space each day, anything made or left belongs to Material/Control. Each edit must reference the space, it's contents and/or it's environment. Make new connections between objects, images and works. Nothing will be permanent. Ecosystems,precarious...

INTERNAL PAGES

pollykelsall.blogspot.com pollykelsall.blogspot.com
1

Polly Kelsall: October 2012

http://pollykelsall.blogspot.com/2012_10_01_archive.html

Ruminate 4 (close up). Ruminate 4 (close-up) . 2012 Crystal archive digital print, 40x30in. Wild - living independently of man; not domesticated or tame. Growing in a natural state; not cultivated. Uninhabited; desolate. A free natural state of living. Lacking restraint or control. Tame - changed by man from a wild state into a domesticated or cultivated condition. Not fearful of human contact. Meek or submissive. Harris wool strip, pvc artificial leather, galvanised steel. Subscribe to: Posts (Atom).

2

Polly Kelsall: Far out in the ocean sea (trip to St Kilda)

http://pollykelsall.blogspot.com/2014/08/far-out-in-ocean-sea-trip-to-st-kilda.html

Far out in the ocean sea (trip to St Kilda). The archipelago of St Kilda lies 41 miles off the Outer Hebrides,. Taking 3 hours to get to. Volcanic rock - granite. And dolerite erupts from the Atlantic ocean, creating the islands of. Soay, Hirte, Boreray and Dun. The stacs resemble tower blocks - Canary. Wharf far out in the ocean sea. The highest cliff in the British Isles at 376 metres. The highest sea stac - Stac an Armin at 191 metres. The world's largest colony of gannets - 60 000 pairs. Far out in t...

3

Polly Kelsall: March 2014

http://pollykelsall.blogspot.com/2014_03_01_archive.html

All things grey, green and concrete. Grey, green, artificial. Green, grey, natural. All things grey, green and concrete. Subscribe to: Posts (Atom). All things grey, green and concrete.

4

Polly Kelsall: November 2015

http://pollykelsall.blogspot.com/2015_11_01_archive.html

Material/Control - exhibition at the Control Room, Bristol. 3 Bristol artists (Hoyle, Kelsall and Krainc) spent 1 week in the Control Room, Bristol in October 2015. We responded to the building and to each other's work following these parameters:. On leaving the space each day, anything made or left belongs to Material/Control. Each edit must reference the space, it's contents and/or it's environment. Make new connections between objects, images and works. Nothing will be permanent.

5

Polly Kelsall: January

http://pollykelsall.blogspot.com/2015/01/january.html

The traffic noise amplified. Cider can on the floor. Sirens in the distance. Cover and hide - mark your space Sparrows congregating. Cracks in the pavement, in the tarmac - widening. Let nature fill the gaps. Moss - vibrant green. 2 blue barrels bobbing on the Avon. See the 2 barrels again the following day - are they the same? Black- headed gulls in the park - regular urban visitors. Eating worms or scraps dropped by us. Subscribe to: Post Comments (Atom).

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material-control.blogspot.com material-control.blogspot.com

Material / Control: Day 2: Control Room EK

http://material-control.blogspot.com/2015/10/day-2-control-room_16.html

Three Bristol based artists will spend one week working in the Control Room, responding to the building and each other’s work following these parameters:. 8226; On leaving the space each day, anything made or left belongs to Material / Control. 8226; Each edit must reference the space, its content, and/or it’s environment. 8226; Make new connections between objects, images and works. 8226; Add or remove. 8226; Nothing will be permanent. 8226; Nothing will remain unchanged. Friday, 16 October 2015.

material-control.blogspot.com material-control.blogspot.com

Material / Control: October 2015

http://material-control.blogspot.com/2015_10_01_archive.html

Three Bristol based artists will spend one week working in the Control Room, responding to the building and each other’s work following these parameters:. 8226; On leaving the space each day, anything made or left belongs to Material / Control. 8226; Each edit must reference the space, its content, and/or it’s environment. 8226; Make new connections between objects, images and works. 8226; Add or remove. 8226; Nothing will be permanent. 8226; Nothing will remain unchanged. Wednesday, 21 October 2015.

material-control.blogspot.com material-control.blogspot.com

Material / Control: Monday

http://material-control.blogspot.com/2015/10/monday.html

Three Bristol based artists will spend one week working in the Control Room, responding to the building and each other’s work following these parameters:. 8226; On leaving the space each day, anything made or left belongs to Material / Control. 8226; Each edit must reference the space, its content, and/or it’s environment. 8226; Make new connections between objects, images and works. 8226; Add or remove. 8226; Nothing will be permanent. 8226; Nothing will remain unchanged. Tuesday, 20 October 2015.

material-control.blogspot.com material-control.blogspot.com

Material / Control: Preparations continued

http://material-control.blogspot.com/2015/10/preparations-continued.html

Three Bristol based artists will spend one week working in the Control Room, responding to the building and each other’s work following these parameters:. 8226; On leaving the space each day, anything made or left belongs to Material / Control. 8226; Each edit must reference the space, its content, and/or it’s environment. 8226; Make new connections between objects, images and works. 8226; Add or remove. 8226; Nothing will be permanent. 8226; Nothing will remain unchanged. Tuesday, 13 October 2015.

material-control.blogspot.com material-control.blogspot.com

Material / Control: Day 1 - Control Room

http://material-control.blogspot.com/2015/10/day-1-control-room.html

Three Bristol based artists will spend one week working in the Control Room, responding to the building and each other’s work following these parameters:. 8226; On leaving the space each day, anything made or left belongs to Material / Control. 8226; Each edit must reference the space, its content, and/or it’s environment. 8226; Make new connections between objects, images and works. 8226; Add or remove. 8226; Nothing will be permanent. 8226; Nothing will remain unchanged. Thursday, 15 October 2015.

material-control.blogspot.com material-control.blogspot.com

Material / Control: 14:33

http://material-control.blogspot.com/2015/10/1433.html

Three Bristol based artists will spend one week working in the Control Room, responding to the building and each other’s work following these parameters:. 8226; On leaving the space each day, anything made or left belongs to Material / Control. 8226; Each edit must reference the space, its content, and/or it’s environment. 8226; Make new connections between objects, images and works. 8226; Add or remove. 8226; Nothing will be permanent. 8226; Nothing will remain unchanged. Saturday, 17 October 2015.

material-control.blogspot.com material-control.blogspot.com

Material / Control: Sunday evening - Control Room

http://material-control.blogspot.com/2015/10/sunday-evening-control-room.html

Three Bristol based artists will spend one week working in the Control Room, responding to the building and each other’s work following these parameters:. 8226; On leaving the space each day, anything made or left belongs to Material / Control. 8226; Each edit must reference the space, its content, and/or it’s environment. 8226; Make new connections between objects, images and works. 8226; Add or remove. 8226; Nothing will be permanent. 8226; Nothing will remain unchanged. Sunday, 18 October 2015.

material-control.blogspot.com material-control.blogspot.com

Material / Control: Day 1: Control Room EK

http://material-control.blogspot.com/2015/10/day-1-control-room_16.html

Three Bristol based artists will spend one week working in the Control Room, responding to the building and each other’s work following these parameters:. 8226; On leaving the space each day, anything made or left belongs to Material / Control. 8226; Each edit must reference the space, its content, and/or it’s environment. 8226; Make new connections between objects, images and works. 8226; Add or remove. 8226; Nothing will be permanent. 8226; Nothing will remain unchanged. Friday, 16 October 2015.

material-control.blogspot.com material-control.blogspot.com

Material / Control: Source material

http://material-control.blogspot.com/2015/10/source-material.html

Three Bristol based artists will spend one week working in the Control Room, responding to the building and each other’s work following these parameters:. 8226; On leaving the space each day, anything made or left belongs to Material / Control. 8226; Each edit must reference the space, its content, and/or it’s environment. 8226; Make new connections between objects, images and works. 8226; Add or remove. 8226; Nothing will be permanent. 8226; Nothing will remain unchanged. Friday, 9 October 2015. To warn...

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Window.devicePixelRatio*screen.width 'x' window.devicePixelRatio*screen.height) :(screen.width 'x' screen.height) ; this.removeAttribute('onclick')". Deviant for 13 Years. This deviant's full pageview. October 24, 1984. Last Visit: 131 weeks ago. This is the place where you can personalize your profile! By moving, adding and personalizing widgets. You can drag and drop to rearrange. You can edit widgets to customize them. The bottom has widgets you can add! We've split the page into zones! Why," you ask?

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Does technology help English language learning? | Technology in the L2 classroom

April 29, 2014. If It Were My Home. For reading, students could have pre-reading activities to introduce them to some of the vocabulary of statistics, comparison and demographics, and then they could look up information in response to specific questions. This could be done with a productive written or speaking goal in mind, or even as a team competition to find the answers most quickly. April 19, 2014. Intercultural communication mediated by internet tools. One of the most effective ways of breaking down...

pollykelsall.blogspot.com pollykelsall.blogspot.com

Polly Kelsall

Material/Control - exhibition at the Control Room, Bristol. 3 Bristol artists (Hoyle, Kelsall and Krainc) spent 1 week in the Control Room, Bristol in October 2015. We responded to the building and to each other's work following these parameters:. On leaving the space each day, anything made or left belongs to Material/Control. Each edit must reference the space, it's contents and/or it's environment. Make new connections between objects, images and works. Nothing will be permanent. Ecosystems,precarious...

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More options ▼. Subscribe to my blog. Created: 04/01/2012 at 5:02 AM. Updated: 02/05/2012 at 10:27 AM. Don't forget that insults, racism, etc. are forbidden by Skyrock's 'General Terms of Use' and that you can be identified by your IP address (66.160.134.62) if someone makes a complaint. Posted on Tuesday, 21 February 2012 at 3:08 AM. Edited on Tuesday, 21 February 2012 at 4:12 AM. C'est l'heure de la têtée. Tous le monde est très affamés. Posted on Friday, 05 October 2012 at 9:50 AM. Don't forget that i...

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