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Critical Studies

Thursday, 31 March 2011. Repetitions - Dan Graham. This image is the work of a photographer called Dan Graham. In his work titled "Homes for America" he took a series of images showing "the issue of such row houses as a new form of urban living" (Media Art Net) He shot them using a very basic camera and "Graham intentionally ignores certain techniques and uses standard, cheap color prints, like a photo journalist" (Media Art Net). Rory is very interested in the idea of the Gaze and he took this into cons...

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Critical Studies | rawrey.blogspot.com Reviews

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Thursday, 31 March 2011. Repetitions - Dan Graham. This image is the work of a photographer called Dan Graham. In his work titled Homes for America he took a series of images showing the issue of such row houses as a new form of urban living (Media Art Net) He shot them using a very basic camera and Graham intentionally ignores certain techniques and uses standard, cheap color prints, like a photo journalist (Media Art Net). Rory is very interested in the idea of the Gaze and he took this into cons...

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Critical Studies | rawrey.blogspot.com Reviews

https://rawrey.blogspot.com

Thursday, 31 March 2011. Repetitions - Dan Graham. This image is the work of a photographer called Dan Graham. In his work titled "Homes for America" he took a series of images showing "the issue of such row houses as a new form of urban living" (Media Art Net) He shot them using a very basic camera and "Graham intentionally ignores certain techniques and uses standard, cheap color prints, like a photo journalist" (Media Art Net). Rory is very interested in the idea of the Gaze and he took this into cons...

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rawrey.blogspot.com

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Critical Studies: Positioning Statement Task

http://rawrey.blogspot.com/2011/03/positioning-statement-task.html

Thursday, 31 March 2011. This photograph above is the work of photographer Rory Doyle. The brief was Location Documentary and he went down the route of social documentation. He took a series of photographs of the model on a typical night out wanting to divulge people into, at least one persons, night out in town. Rory's aim was to be an outside perspective and simply record what was happening rather then influence it in any way. It makes for quite a dramatic image. ". Subscribe to: Post Comments (Atom).

2

Critical Studies: March 2011

http://rawrey.blogspot.com/2011_03_01_archive.html

Thursday, 31 March 2011. Repetitions - Dan Graham. This image is the work of a photographer called Dan Graham. In his work titled "Homes for America" he took a series of images showing "the issue of such row houses as a new form of urban living" (Media Art Net) He shot them using a very basic camera and "Graham intentionally ignores certain techniques and uses standard, cheap color prints, like a photo journalist" (Media Art Net). Rory is very interested in the idea of the Gaze and he took this into cons...

3

Critical Studies: Documentary Task

http://rawrey.blogspot.com/2010/11/documentary-task.html

Thursday, 18 November 2010. Arthur Fellig, also known as “Weegee”, was a famous photographer back in the 1930s. He became famous “. By monitoring police and fire-department radio calls Fellig was able to obtain a large number of dramatic photographs. The ability to be the first photographer on the scene of a major incident, resulted in him being given the nickname, Weegee (a reference to the fortune-teller's Ouija board).” (http:/ en.wikipedia.org/wiki/Weegee). Weegee took a photograph called “The ...

4

Critical Studies: November 2010

http://rawrey.blogspot.com/2010_11_01_archive.html

Wednesday, 24 November 2010. Jean Shrimpton in coat, 1964, by London of Sloane Street (British, founded. 1920, British Vogue, January 1964, Photograph by David Bailey (British, born 1938), Photograph courtesy of David Bailey.". Thursday, 18 November 2010. Arthur Fellig, also known as “Weegee”, was a famous photographer back in the 1930s. He became famous “. This photograph immediately connotes to me that the person on the floor is dead, but is this due to the way the photographer has taken the image?

5

Critical Studies: The Gaze/ Voyeurism

http://rawrey.blogspot.com/2010/11/gaze-voyeurism.html

Wednesday, 24 November 2010. Jean Shrimpton in coat, 1964, by London of Sloane Street (British, founded. 1920, British Vogue, January 1964, Photograph by David Bailey (British, born 1938), Photograph courtesy of David Bailey.". Subscribe to: Post Comments (Atom). Travel theme. Powered by Blogger.

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FD Photography Contextual Studies Year 2: November 2010

http://fdphotoyear2.blogspot.com/2010_11_01_archive.html

FD Photography Contextual Studies Year 2. Research historical and contemporary documentary photography, and prepare a 300 word blog entry comparing and contrasting them. 1) How do the photographers you examine exploit the technical possibilities offered by photography, and to what political ends? What are the aims of the artist? How does mechanical reproduction facilitate their artistic project? How does their work contrast with realist artist's such as Millet, and Courbet? How are they composed? Benjami...

fdphotoyear2.blogspot.com

FD Photography Contextual Studies Year 2: Documentary Student Task

http://fdphotoyear2.blogspot.com/2010/11/documentary-student-task.html

FD Photography Contextual Studies Year 2. Research historical and contemporary documentary photography, and prepare a 300 word blog entry comparing and contrasting them. 1) How do the photographers you examine exploit the technical possibilities offered by photography, and to what political ends? What are the aims of the artist? How does mechanical reproduction facilitate their artistic project? How does their work contrast with realist artist's such as Millet, and Courbet? How are they composed? Subscri...

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FD Photography Contextual Studies Year 2: The Rhetoric of Images - Student Task

http://fdphotoyear2.blogspot.com/2010/12/rhetoric-of-images-student-task.html

FD Photography Contextual Studies Year 2. The Rhetoric of Images - Student Task. The Rhetoric of Images Student Task. I’m going to give you a choice this week, between analysing photographs in relation to the semiotic theories we explored this week, and using these theories to generate photographic images. Produce a 300 word visual analysis of a work by one of these artists. Consider – (1) What images are these pictures created from? 3) What has the artist done with / to them? Walker Evans, Getty Museum ...

fdphotoyear2.blogspot.com

FD Photography Contextual Studies Year 2: The Rhetoric of Images

http://fdphotoyear2.blogspot.com/2010/12/rhetoric-of-images.html

FD Photography Contextual Studies Year 2. The Rhetoric of Images. Roland Barthes Denotation / Connotation. Denotation – What an object or image is understood to. Represent. What is that? What is it a picture of? Connotation – the thoughts feelings and associations. That accompany one’s perception of an example of. Consider this advert for spaghetti. What does it mean? What does it make us think about? Subscribe to: Post Comments (Atom). Work of Art in the Age of Mechanical Reproduction Text.

fdphotoyear2.blogspot.com

FD Photography Contextual Studies Year 2: The Gaze - Student Task

http://fdphotoyear2.blogspot.com/2010/12/gaze-student-task.html

FD Photography Contextual Studies Year 2. The Gaze - Student Task. The Gaze – Student Task. Create a 200 – 300 word visual analysis of a particular photograph or series of photographs that feature people. Examine how the people in the photograph engage with one another and how you as the viewer are involved, or implicated in the image. Who is looking at whom? What access are you given to their bodies? How are they articulated in relation to each other and you, the viewer? Walker Evans, Getty Museum entry.

fdphotoyear2.blogspot.com

FD Photography Contextual Studies Year 2: Positioning Statement Task

http://fdphotoyear2.blogspot.com/2011/03/positioning-statement-task.html

FD Photography Contextual Studies Year 2. FD Photography Year 2 – Positioning Statement Task. Create a 200 – 300 word statement contextualising an example of your own practice. Most of you have work in the current FD Photography 2. Year exhibition. If you do, then use the work in the exhibition, and if you do not, then choose an example of your work and print it in a suitable format so that it can be seen by a group of people. Subscribe to: Post Comments (Atom). Robert Frank, Tate, Story Lines exhibition.

fdphotoyear2.blogspot.com

FD Photography Contextual Studies Year 2: Repetitions - Student Task

http://fdphotoyear2.blogspot.com/2010/12/repetitions-student-task.html

FD Photography Contextual Studies Year 2. Repetitions - Student Task. Research task: (1) Choose one these photographers, and examine how they use repetitions in their practice. Bernd and Hilla Becher, Dan Graham, Joseph Kosuth, Ed Ruscha, Roni Horn, Thomas Demand. A) What is their Subject matter; (b) How do they take their photographs? C) What photographic equipment. D) How do they exhibit and combine their photographs? E) What access are we given to the. Objects / events they photograph? Walker Evans, G...

fdphotoyear2.blogspot.com

FD Photography Contextual Studies Year 2: December 2010

http://fdphotoyear2.blogspot.com/2010_12_01_archive.html

FD Photography Contextual Studies Year 2. Repetitions - Student Task. Research task: (1) Choose one these photographers, and examine how they use repetitions in their practice. Bernd and Hilla Becher, Dan Graham, Joseph Kosuth, Ed Ruscha, Roni Horn, Thomas Demand. A) What is their Subject matter; (b) How do they take their photographs? C) What photographic equipment. D) How do they exhibit and combine their photographs? E) What access are we given to the. Objects / events they photograph? Different kinds...

fdphotoyear2.blogspot.com

FD Photography Contextual Studies Year 2: Globalisation Task

http://fdphotoyear2.blogspot.com/2011/03/globalisation-task.html

FD Photography Contextual Studies Year 2. Research the practice of one of these artists, focusing upon how they deal with issues of globalisation. Andreas Gusrksy, Gabriel Orozco, Simon Starling, Allan Sekula, Yto Bararda , or Ursula Biemann. Consider: (1) How issues of gloalisatiion enter and structure their working practices; (2) What area of globalisation they focus upon material processes, spatial production, or human movements? 3) Where do they go to make their work? Walker Evans, Getty Museum entry.

fdphotoyear2.blogspot.com

FD Photography Contextual Studies Year 2: The Gaze

http://fdphotoyear2.blogspot.com/2010/12/gaze.html

FD Photography Contextual Studies Year 2. Naked / Nude Key points. 1) A man’s presence is dependent upon the promise of power (moral, physical, economic, social sexual) that he embodies. 2) The object of this power is always exterior to him, and suggests what he can do for you and to you. 3) A woman’s presence expresses her attitude towards herself, and defines what can and cannot be done to her. 5) Her sense of self is supplanted by her sense of being appreciated as herself by another. Walker Evans, Get...

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Critical Studies

Thursday, 31 March 2011. Repetitions - Dan Graham. This image is the work of a photographer called Dan Graham. In his work titled "Homes for America" he took a series of images showing "the issue of such row houses as a new form of urban living" (Media Art Net) He shot them using a very basic camera and "Graham intentionally ignores certain techniques and uses standard, cheap color prints, like a photo journalist" (Media Art Net). Rory is very interested in the idea of the Gaze and he took this into cons...

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