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Reel World: Duke

Friday, December 4, 2009. A Whole New World.for Michael Corleone, not Pocahontas. The violence, corruption, and crime associated with the mafia are all considered shameful, inhumane, and unacceptable in the eyes of society. Contrary to these accepted negative connotations of the mafia, Francis Ford Coppola tells the tale of a mafia associated with honor, power, and unity in his 1972 film, The Godfather. As he approaches the toilet where the weapon is hidden, the camera pans to the right, keeping the fram...

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Friday, December 4, 2009. A Whole New World.for Michael Corleone, not Pocahontas. The violence, corruption, and crime associated with the mafia are all considered shameful, inhumane, and unacceptable in the eyes of society. Contrary to these accepted negative connotations of the mafia, Francis Ford Coppola tells the tale of a mafia associated with honor, power, and unity in his 1972 film, The Godfather. As he approaches the toilet where the weapon is hidden, the camera pans to the right, keeping the fram...
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Reel World: Duke | reelworldduke.blogspot.com Reviews

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Friday, December 4, 2009. A Whole New World.for Michael Corleone, not Pocahontas. The violence, corruption, and crime associated with the mafia are all considered shameful, inhumane, and unacceptable in the eyes of society. Contrary to these accepted negative connotations of the mafia, Francis Ford Coppola tells the tale of a mafia associated with honor, power, and unity in his 1972 film, The Godfather. As he approaches the toilet where the weapon is hidden, the camera pans to the right, keeping the fram...

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1

Reel World: Duke: REAR WINDOW: Voyeurism and the Object of the Male Gaze

http://reelworldduke.blogspot.com/2009/10/rear-window-voyeurism-and-object-of.html

Friday, October 9, 2009. REAR WINDOW: Voyeurism and the Object of the Male Gaze. Alfred Hitchcock’s 1954 film, Rear Window. However, the woman is continually shown to be physically superior to the hero, not only in her physical movements but also in her dominance within the frame…” While these are notable characteristics of our two protagonists, I do not think that this is the voyeuristic relationship that must be analyzed. October 11, 2009 at 1:19 PM. I really enjoyed it. October 11, 2009 at 2:45 PM.

2

Reel World: Duke: A Whole New World...for Michael Corleone, not Pocahontas

http://reelworldduke.blogspot.com/2009/12/whole-new-worldfor-michael-corleone-not.html

Friday, December 4, 2009. A Whole New World.for Michael Corleone, not Pocahontas. The violence, corruption, and crime associated with the mafia are all considered shameful, inhumane, and unacceptable in the eyes of society. Contrary to these accepted negative connotations of the mafia, Francis Ford Coppola tells the tale of a mafia associated with honor, power, and unity in his 1972 film, The Godfather. As he approaches the toilet where the weapon is hidden, the camera pans to the right, keeping the fram...

3

Reel World: Duke: Benjamin and Narrative as the Essence of Film

http://reelworldduke.blogspot.com/2009/09/benjamin-and-narrative-as-essence-of.html

Friday, September 11, 2009. Benjamin and Narrative as the Essence of Film. In his piece, “The Work of Art in the Age of Mechanical Reproduction”, Walter Benjamin discusses the transformative effects of film technology on the sense perception of the audience. I found sections XI, XII, and XIII to be particularly helpful to keep in mind during our viewing of Fight Club. Subscribe to: Post Comments (Atom). Not About a Love Story. Benjamin and Narrative as the Essence of Film. View my complete profile.

4

Reel World: Duke: October 2009

http://reelworldduke.blogspot.com/2009_10_01_archive.html

Friday, October 30, 2009. Schrader's Film Noir and Polanski's Chinatown. Dark or dim lighting. This lighting helps to create the mood of Noir films and contributes to the air of mystery and suspense. 8220;Compositional tension is preferred to physical action”. In other words, there is less movement of the characters around the camera and more movement of the camera around the characters. 8220;There is a love of romantic narration”. The way Noir films are narrated often contributes greatly to th...As a Fi...

5

Reel World: Duke: November 2009

http://reelworldduke.blogspot.com/2009_11_01_archive.html

Sunday, November 15, 2009. Michael Corleone: A Changed Man. Shot by Shot Analysis of The Godfather. Michael Corleone is the youngest child of Vito Corleone, Don of the Corleone crime family, one of the most influential Italian mafia families in New York City. He was always considered a “civilian” when it came to the family business, however, when his father’s life becomes the target of other mafia families, Michael takes it upon himself to protect his father. Shot with the sound of the train. In this.

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Reel World: Duke

Friday, December 4, 2009. A Whole New World.for Michael Corleone, not Pocahontas. The violence, corruption, and crime associated with the mafia are all considered shameful, inhumane, and unacceptable in the eyes of society. Contrary to these accepted negative connotations of the mafia, Francis Ford Coppola tells the tale of a mafia associated with honor, power, and unity in his 1972 film, The Godfather. As he approaches the toilet where the weapon is hidden, the camera pans to the right, keeping the fram...

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