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Constanze Schweiger Jasmin Trabichler

Constanze Schweiger Jasmin Trabichler. Donnerstag, 5. Mai 2011. Sometimes it was like being in a big marble hall, the way we talked in low voices and heared the tiniest sound. Freitag 6. Mai. Der Performance- und Happeningreihe des Donaufestivals Krems. Kuratiert von Amer Abbas und Barbara Pflanzer. Sonntag, 10. Oktober 2010. Anna Wickenhauser, architect. Freitag, 3. September 2010. Einen Sänger in einen weit auslaufenden Mantel stellen, . Ihn singen lassen, mit tiefer Stimme, . Two Step Slow Drag.

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Constanze Schweiger Jasmin Trabichler | schweigertrabichler.blogspot.com Reviews

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Constanze Schweiger Jasmin Trabichler. Donnerstag, 5. Mai 2011. Sometimes it was like being in a big marble hall, the way we talked in low voices and heared the tiniest sound. Freitag 6. Mai. Der Performance- und Happeningreihe des Donaufestivals Krems. Kuratiert von Amer Abbas und Barbara Pflanzer. Sonntag, 10. Oktober 2010. Anna Wickenhauser, architect. Freitag, 3. September 2010. Einen Sänger in einen weit auslaufenden Mantel stellen, . Ihn singen lassen, mit tiefer Stimme, . Two Step Slow Drag.

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Constanze Schweiger Jasmin Trabichler | schweigertrabichler.blogspot.com Reviews

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Constanze Schweiger Jasmin Trabichler. Donnerstag, 5. Mai 2011. Sometimes it was like being in a big marble hall, the way we talked in low voices and heared the tiniest sound. Freitag 6. Mai. Der Performance- und Happeningreihe des Donaufestivals Krems. Kuratiert von Amer Abbas und Barbara Pflanzer. Sonntag, 10. Oktober 2010. Anna Wickenhauser, architect. Freitag, 3. September 2010. Einen Sänger in einen weit auslaufenden Mantel stellen, . Ihn singen lassen, mit tiefer Stimme, . Two Step Slow Drag.

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schweigertrabichler.blogspot.com

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Constanze Schweiger Jasmin Trabichler: My dream house

http://www.schweigertrabichler.blogspot.com/2010/10/my-dream-house.html

Constanze Schweiger Jasmin Trabichler. Sonntag, 10. Oktober 2010. Anna Wickenhauser, architect. 2010, Goin' Home. 2009, Two Step Slow Drag, Teil 1. 2009, Two Step Slow Drag, Teil 2. 2009, She couldn't rock and roll with me and I couldn't avant-garde with her, Teil 2.

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Constanze Schweiger Jasmin Trabichler: Sometimes it was like being in a big marble hall, the way we talked in low voices and heared the tiniest sound

http://www.schweigertrabichler.blogspot.com/2010/09/1973.html

Constanze Schweiger Jasmin Trabichler. Donnerstag, 5. Mai 2011. Sometimes it was like being in a big marble hall, the way we talked in low voices and heared the tiniest sound. Freitag 6. Mai. Der Performance- und Happeningreihe des Donaufestivals Krems. Kuratiert von Amer Abbas und Barbara Pflanzer. Sometimes it was like being in a big marble hall, . 2010, Goin' Home. 2009, Two Step Slow Drag, Teil 1. 2009, Two Step Slow Drag, Teil 2.

3

Constanze Schweiger Jasmin Trabichler: She couldn’t rock and roll with me and I couldn’t avant-garde with her.

http://www.schweigertrabichler.blogspot.com/2010/09/she-couldnt-rock-and-roll-with-me-and-i.html

Constanze Schweiger Jasmin Trabichler. Freitag, 3. September 2010. She couldn’t rock and roll with me and I couldn’t avant-garde with her. Zu zweit sich in einen übergrossen Sack setzen, . Einige Platten spielen, immer lauter, . Sitting in pairs in an oversized bag,. Playing some records, louder and louder,. Wollstoffe, Holz, Mischpult, Verstärker, Plattenspieler, 130 x 300 x 360 cm. . VeSch, Wien, Februar 2009. Two Step Slow Drag. Spot her error, Spot her error, Spot her error. We. 2010, Goin' Home.

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Constanze Schweiger Jasmin Trabichler: Oktober 2010

http://www.schweigertrabichler.blogspot.com/2010_10_01_archive.html

Constanze Schweiger Jasmin Trabichler. Sonntag, 10. Oktober 2010. Anna Wickenhauser, architect. 2010, Goin' Home. 2009, Two Step Slow Drag, Teil 1. 2009, Two Step Slow Drag, Teil 2. 2009, She couldn't rock and roll with me and I couldn't avant-garde with her, Teil 2.

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Constanze Schweiger Jasmin Trabichler: September 2010

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Constanze Schweiger Jasmin Trabichler. Freitag, 3. September 2010. Einen Sänger in einen weit auslaufenden Mantel stellen, . Ihn singen lassen, mit tiefer Stimme, . Einen Zipfel hochheben und drunter kriechen. Placing a singer in a roomy, outbound coat,. Letting him sing, with low-pitched voice,. Lifting a corner and crawling underneath. Mantel, verschiedene Wollstoffe, Holz, Verstärker, Mikrofon, musikalische Begleitung durch Akkordeon oder Klavier. . Galerie Meyer Kainer, Wien, Jänner 2010. Denim, Sei...

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constanzeschweiger.blogspot.com

Constanze Schweiger: Vier "Hands" und Floralozone

https://constanzeschweiger.blogspot.com/2014/07/2014-vier-hands-und-floralozone.html

Vier "Hands" und Floralozone. Michael Part, 2003-2006. 1 – Andy Partridge and Harold Budd, Hand 21. 2 – Andy Partridge and Harold Budd, Missing Pieces of the Game of Salt and Onyx. 3 – Jacob Kirkegaard, Labyrinthitis II. 4 – Ø, Olematon. 5 – John Hughes Daydream, Drinking Gasoline. 6 – John Hughes Daydream, Terrible Things. 7 – Heat Wave, Oakland, Slowmotion. 1 – Andy Partridge and Harold Budd, Hand 22. 2 – Delia Gonzalez and Gavin Russom, Rise. 3 – James Murphy and Tim Goldsworthy, Rise Remix. A persona...

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Constanze Schweiger: October 2012

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Constanze Schweiger, "Grace has success", 2012. With: batik sox by Michael Part. Anmut hat Gelingen.". Werden gerahmt. Jetzt kann sich der Künstler wieder auf andere Dinge konzentrieren. Grace has success."  . Samt Pferd wert ist. Ein anderer Aspekt sind die Empfindungen, die die Blaunuance hervorruft. Wie der amerikanische Blues, bringt Indigo in den Klageliedern östlicher Kulturen Melancholie zum Ausdruck. In Teilen Westafrikas, Ägyptens oder Indiens ist es Ritual in Indigo-Kleidern zu trauern ...Like ...

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Constanze Schweiger: June 2014

https://constanzeschweiger.blogspot.com/2014_06_01_archive.html

Vier "Hands" und Floralozone. Michael Part, 2003-2006. 1 – Andy Partridge and Harold Budd, Hand 21. 2 – Andy Partridge and Harold Budd, Missing Pieces of the Game of Salt and Onyx. 3 – Jacob Kirkegaard, Labyrinthitis II. 4 – Ø, Olematon. 5 – John Hughes Daydream, Drinking Gasoline. 6 – John Hughes Daydream, Terrible Things. 7 – Heat Wave, Oakland, Slowmotion. 1 – Andy Partridge and Harold Budd, Hand 22. 2 – Delia Gonzalez and Gavin Russom, Rise. 3 – James Murphy and Tim Goldsworthy, Rise Remix. A persona...

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Constanze Schweiger: June 2013

https://constanzeschweiger.blogspot.com/2013_06_01_archive.html

Henrik Håkansson's New York from 2011. Remember full moon alternating with new moon in a period of four days. One dope-drunk with a donkey's head chases the juice of the flower. Dewdrops show like liquid pearls through haze guarded by the dark pounding forces from the strange world within a forest. 1 - Henrik Håkansson, New York. A), A Better Tomorrow Records 2011. 2 - A Burger, The Transducer (A3), Craft Records 1996. 3 - Penguin Cafe Orchestra, Signs of Life (B2), Virgin 1987. 6 - Tin Man. 19 - Benzo, ...

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Constanze Schweiger: January 2013

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Gepriesen sind die mehrfarbig gefleckten Dinge. "Whatever is fickle, freckled (who knows how? Alle Dinge – entgegengesetzt, eigenständig, selten und seltsam – besitzen eine mehr oder weniger wechselnde Oberfläche. Bei so einer Musterung oder Textur handelt es sich um die enthüllende Qualität einer Sache und ihren Zusammenhang mit der Umgebung. Während sich die Welt in Yayoi Kusamas. 1967) zu Beginn noch irritierend düster anfühlt, sich bald manisch, bald hypnotisch in Millionen kleinste Partikel auflöst,...

constanzeschweiger.blogspot.com

Constanze Schweiger: May 2013

https://constanzeschweiger.blogspot.com/2013_05_01_archive.html

Studios Spring/Summer Campaign 2013. Subscribe to: Posts (Atom). A personal archive of various stylistic phenomena related to the fields of painting and design. Like scrollwork––sometimes quite acanthus-like, and sometimes stylized into an almost abstract impression––it combines allover coverage with graceful lightness and is usually nondirectional. Terachord - Michael Part, Nadim Vardag, Sarah Pichlkostner, Svenja Deininger, Josh Lilley Gallery, London, April 2015. Scrollwork, 2012 (publication).

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Constanze Schweiger: November 2014

https://constanzeschweiger.blogspot.com/2014_11_01_archive.html

No posts. Show all posts. No posts. Show all posts. Subscribe to: Posts (Atom). A personal archive of various stylistic phenomena related to the fields of painting and design. Like scrollwork––sometimes quite acanthus-like, and sometimes stylized into an almost abstract impression––it combines allover coverage with graceful lightness and is usually nondirectional. Terachord - Michael Part, Nadim Vardag, Sarah Pichlkostner, Svenja Deininger, Josh Lilley Gallery, London, April 2015.

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Constanze Schweiger: Dienstag Abend Chicago

https://constanzeschweiger.blogspot.com/2014/09/2014-dienstag-abend-chicago.html

Covering the fridge with painted paper, so to make a three-dimensional painting that relates and interacts to its place, its situation by color. After drying the painted paper shall be cut out freely with scissors or cutter and makes therefor flowing edges. Three shapes are developed according to the silhouettes of the fridge's left and right side and its light box on top. The mounting shall be done with pieces of tape rolled into loops or double-sided adhesive tape. It must be invisible. Sommerfest, 21e...

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Constanze Schweiger: 2013 Ludwig Kittinger

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Salvia, lavender, hollyhock, scabiosa". On painting zwei - Ludwig Kittinger, Constanze Schweiger. Photograph Thomas Ries (detail). 8222;Vor der Abstraktion ist alles eins, aber eins wie Chaos; nach der Abstraktion ist wieder alles vereinigt, aber diese Vereinigung ist eine freie Verbindung selbständiger, selbstbestimmter Wesen.“ So schreibt Novalis in Blüthenstaub über die Vorstellung der Zukunft, 1802. Ludwig Kittinger Constanze Schweiger. Pinacoteca, Vienna, September 2013. Frame, 2011 (publication).

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Constanze Schweiger Jasmin Trabichler

Constanze Schweiger Jasmin Trabichler. Donnerstag, 5. Mai 2011. Sometimes it was like being in a big marble hall, the way we talked in low voices and heared the tiniest sound. Freitag 6. Mai. Der Performance- und Happeningreihe des Donaufestivals Krems. Kuratiert von Amer Abbas und Barbara Pflanzer. Sonntag, 10. Oktober 2010. Anna Wickenhauser, architect. Freitag, 3. September 2010. Einen Sänger in einen weit auslaufenden Mantel stellen, . Ihn singen lassen, mit tiefer Stimme, . Two Step Slow Drag.

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