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:: BlackBox :: Tatiana Pentes :: Geoffrey Weary

Copyright Tatiana Pentes and Geoffrey Weary. An online art portal, exhibition and archive of digital film, video art, dance film, new media, device APPs, photo media , and interactive art. Strange Cities Productions. Sydney College of the Arts. University of Sydney. University of Technology, Sydney.

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:: BlackBox :: Tatiana Pentes :: Geoffrey Weary | strangecities.net Reviews
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Copyright Tatiana Pentes and Geoffrey Weary. An online art portal, exhibition and archive of digital film, video art, dance film, new media, device APPs, photo media , and interactive art. Strange Cities Productions. Sydney College of the Arts. University of Sydney. University of Technology, Sydney.
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:: BlackBox :: Tatiana Pentes :: Geoffrey Weary | strangecities.net Reviews

https://strangecities.net

Copyright Tatiana Pentes and Geoffrey Weary. An online art portal, exhibition and archive of digital film, video art, dance film, new media, device APPs, photo media , and interactive art. Strange Cities Productions. Sydney College of the Arts. University of Sydney. University of Technology, Sydney.

INTERNAL PAGES

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:: BlackBox :: Tatiana Pentes :: Geoffrey Weary

http://www.strangecities.net/mission.html

BlackBOX www.strangecities.net. PAINTING A DIGITAL PICTURE OF DOCUMENTED MEMORY. Girl On A Train. Meta name="p:domain verify" content="b00e409c57ac1c7a855ed07c4784bb5e"/. From Strange Cities Productions. A digital media artwork Written and Directed by Tatiana Pentes. Digital Sound and Moving Image Geoffrey Weary. Professor Tara McPherson, School of Cinematic Arts, University of Southern California. Stephanie H. Donald, Professor of Comparative Film and Cultural Studies, University of New South Wales.

2

:: BlackBox :: Tatiana Pentes :: Geoffrey Weary

http://www.strangecities.net/girlonatrain.html

BlackBOX www.strangecities.net. PAINTING A DIGITAL PICTURE OF DOCUMENTED MEMORY. Girl On A Train. Powered by Network Solutions.

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:: BlackBox :: Tatiana Pentes :: Geoffrey Weary

http://www.strangecities.net/portraits/captive.html

BlackBOX www.strangecities.net. PAINTING A DIGITAL PICTURE OF DOCUMENTED MEMORY. Girl On A Train. An experimental digital film. Digital Video, Stereo Sound, Colour and Black and White. Music and Sound Design. Michael Bates and Mark Gardiner. Digital Effects and Edit. Tatiana Pentes and Geoffrey weary. Producer,Writer, Director. A Strange Cities Production. Produced in association with the Australian Film Commission. And Sydney College of the Arts, University of Sydney. Powered by Network Solutions.

4

:: BlackBox :: Tatiana Pentes :: Geoffrey Weary

http://www.strangecities.net/mobile.html

BlackBOX www.strangecities.net. PAINTING A DIGITAL PICTURE OF DOCUMENTED MEMORY. Girl On A Train. BlackBOX Essay, BACKBURNING:JAS, 2005. It is inscribed, as on Pandoras Box. Do not open.passions.escape in all directions from a box that lies open.". Bruno Latour, Opening Pandora's Black Box. The experience of exile and difference has become amplified in the contemporary context. By weaving together the music and dance of the Greek Rembetika blues. Classical Indian dance performance. No4, Hanover, July 1923.

5

:: BlackBox :: Tatiana Pentes :: Geoffrey Weary

http://www.strangecities.net/vimeochannel.html

BlackBOX www.strangecities.net. PAINTING A DIGITAL PICTURE OF DOCUMENTED MEMORY. Girl On A Train. To explore/navigate Tatiana Pentes and Geoffrey Weary Digital Film and digital effects for film and video on the social media site Vimeo channel. Powered by Network Solutions.

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STRANGE CITIES: December 2008

http://strangecities.blogspot.com/2008_12_01_archive.html

Strange Cities (2008). is an evolving research space [experimental blog] extending BLACK BOX http:/ www.strangecities.net created as part of my doctor of creative arts @ University of Technology, Sydney. (2006). This blog charts my research into Old Shanghai and SHANGHAI JAZZ! Tatiana Pentes "My shoes are Japanese My trousers are English My hat is Russian But my heart is Hindustani" film lyric by Shailendra in POPULAR MUSIC: South Asia and the West, Vol. 7 No. 2, May 1988. Sydney, NSW, Australia. A re-ex...

digiethno.wordpress.com digiethno.wordpress.com

UTS Centre for Cosmopolitan Civil Societies Digital Ethnography Workshop | Digital Ethnography

https://digiethno.wordpress.com/2008/04/22/uts-centre-for-cosmopolitan-civil-societies-digital-ethnography-workshop

A work in progress bringing research using rich multimedia sources to realisation in online publishing. About : CCS and Digital Ethnography Workshop May 29 2008. David Theo Goldberg: interview transcript. UTS Centre for Cosmopolitan Civil Societies Digital Ethnography Workshop. A second workshop will be held in August to develop a selected number of the projects for potential e-publication, utilising interactivity available in Web 2.0 technologies. And the University Library e-Press. Thursday May 29 2008.

strangeblackbox.wordpress.com strangeblackbox.wordpress.com

The Menorah of Fang Bang Lu: online documentary – STRANGE CITIES

https://strangeblackbox.wordpress.com/the-menorah-of-fang-bang-lu

ABOUT: Tatiana Pentes : Geoffrey Weary. SCREEN SURFACE Curated by Geoffrey Weary. BY A WINDOW: Verge Gallery: Riley: Perkins. GirlOnATrain : Geoffrey Weary : Tatiana Pentes. Catalogue Essay, ‘Geoffrey Weary’s Floating World’, ACADEMICI, Roma. Geoff Weary’s film ‘An Eye for An I’, The Third Wave @ BRAG. Geoffrey Weary’s video ‘Failure to Materialise’ featured in book. LAUNCHED: HOME iPad artwork by Geoffrey Weary. PORTRAITS: films by Geoffrey Weary. CHINA HEART: iPhone APP: dLux media arts. Is Professor o...

strangecities2.blogspot.com strangecities2.blogspot.com

STRANGE CITIES: Strange Cities

http://strangecities2.blogspot.com/2009/12/strangers-in-strange-cities.html

Sydney, NSW, Australia. View my complete profile. Tuesday, December 22, 2009. 8220;Chinese cinema of the 1930s is believed to be a synthesis of indigenous art and foreign modes of production. (1) This point is best demonstrated by Ma Ning's influential piece on a famous leftist classic, Street Angel. 1937) (2) Ma argues that Street Angel. Yeh Yueh-yu , “Historiography and Sinification: Music in Chinese Cinema of the 1930s”, Cinema Journal. Vol 41, No. 3 (Spring, 2002), pp. 78-97. A re-examination of the ...

strangecities2.blogspot.com strangecities2.blogspot.com

STRANGE CITIES: Dec 22, 2009

http://strangecities2.blogspot.com/2009_12_22_archive.html

Sydney, NSW, Australia. View my complete profile. Tuesday, December 22, 2009. 8220;Chinese cinema of the 1930s is believed to be a synthesis of indigenous art and foreign modes of production. (1) This point is best demonstrated by Ma Ning's influential piece on a famous leftist classic, Street Angel. 1937) (2) Ma argues that Street Angel. Yeh Yueh-yu , “Historiography and Sinification: Music in Chinese Cinema of the 1930s”, Cinema Journal. Vol 41, No. 3 (Spring, 2002), pp. 78-97. A re-examination of the ...

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STRANGE CITIES

Strange Cities (2008). is an evolving research space [experimental blog] extending BLACK BOX http:/ www.strangecities.net created as part of my doctor of creative arts @ University of Technology, Sydney. (2006). This blog charts my research into Old Shanghai and SHANGHAI JAZZ! Tatiana Pentes "My shoes are Japanese My trousers are English My hat is Russian But my heart is Hindustani" film lyric by Shailendra in POPULAR MUSIC: South Asia and the West, Vol. 7 No. 2, May 1988. Sydney, NSW, Australia. A re-ex...

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:: BlackBox :: Tatiana Pentes :: Geoffrey Weary

BlackBOX www.strangecities.net. PAINTING A DIGITAL PICTURE OF DOCUMENTED MEMORY. Girl On A Train. Meta name="p:domain verify" content="b00e409c57ac1c7a855ed07c4784bb5e"/. A digital media artwork Written and Directed by Tatiana Pentes. Digital Sound and Moving Image Geoffrey Weary. Professor Tara McPherson, School of Cinematic Arts, University of Southern California. Stephanie H. Donald, Professor of Comparative Film and Cultural Studies, University of New South Wales. Black Box impressivley combines thou...

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STRANGE CITIES

Sydney, NSW, Australia. View my complete profile. Tuesday, December 22, 2009. 8220;Chinese cinema of the 1930s is believed to be a synthesis of indigenous art and foreign modes of production. (1) This point is best demonstrated by Ma Ning's influential piece on a famous leftist classic, Street Angel. 1937) (2) Ma argues that Street Angel. Yeh Yueh-yu , “Historiography and Sinification: Music in Chinese Cinema of the 1930s”, Cinema Journal. Vol 41, No. 3 (Spring, 2002), pp. 78-97. A re-examination of the ...

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