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The Maids x 2. A special collaboration between THEATRE FANATICO and ALICE THEATRE LABORATORY on Jean Genet's modern classic "THE MAIDS". THE MAIDS X 2. The Future of an Illusion. Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Volume 21. The Future of an Illusion(1927). Translated by James Strachey. London: Hogarth Press, 1968. What we find in this text is the beginning of studies which were to be Freud's main interest for the rest of his life. THE MAIDS X 2.

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女侍／侍女The Maids x 2 | themaidsx2.blogspot.com Reviews

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The Maids x 2. A special collaboration between THEATRE FANATICO and ALICE THEATRE LABORATORY on Jean Genet's modern classic THE MAIDS. THE MAIDS X 2. The Future of an Illusion. Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Volume 21. The Future of an Illusion(1927). Translated by James Strachey. London: Hogarth Press, 1968. What we find in this text is the beginning of studies which were to be Freud's main interest for the rest of his life. THE MAIDS X 2.

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女侍／侍女The Maids x 2 | themaidsx2.blogspot.com Reviews

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The Maids x 2. A special collaboration between THEATRE FANATICO and ALICE THEATRE LABORATORY on Jean Genet's modern classic "THE MAIDS". THE MAIDS X 2. The Future of an Illusion. Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Volume 21. The Future of an Illusion(1927). Translated by James Strachey. London: Hogarth Press, 1968. What we find in this text is the beginning of studies which were to be Freud's main interest for the rest of his life. THE MAIDS X 2.

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女侍／侍女The Maids x 2: 十月 2009

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The Maids x 2. A special collaboration between THEATRE FANATICO and ALICE THEATRE LABORATORY on Jean Genet's modern classic "THE MAIDS". Vitus Theater: "Die Zofen". THE MAIDS X 2. The Maids / Glenda Jackson and Susanna York. THE MAIDS X 2. Les Bonnes / SOLANGE, doucement d'abord. THE MAIDS X 2. WOMEN MURDER WOMEN: CASE STUDIES IN THEATRE AND FILM. By MARIAN LEA MCCURDY. This thesis looks at two cases of women who murdered women – the Papin. 1947), Peter Jackson’s film. How are these two. My thesis explor...

2

女侍／侍女The Maids x 2

http://themaidsx2.blogspot.com/2009/12/blog-post.html

The Maids x 2. A special collaboration between THEATRE FANATICO and ALICE THEATRE LABORATORY on Jean Genet's modern classic "THE MAIDS". THE MAIDS X 2. Drive carefully. It is not only cars that can be recalled by their Maker . 讓好心情回味發酵；壞心情留在文字裡隨時間消逝吧！ . I love readding, and thanks for your artical. . 逛到你的部落格,第一個感覺就很好,希望每次更新都是美好的開始,也祝你天天都都開心喔 . Hello Nice to meet you . 幽默並不是諷刺，它或許帶有溫和的嘲諷，卻不傷人，它可能是以別人，也可以用自己為對象。 . Nice post 3Q . 成功是一把梯子，雙手插在口袋裡是爬不上去的。 . 處順境須謹慎，處逆境要忍耐。 . The best as always thanks .

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女侍／侍女The Maids x 2: 十二月 2009

http://themaidsx2.blogspot.com/2009_12_01_archive.html

The Maids x 2. A special collaboration between THEATRE FANATICO and ALICE THEATRE LABORATORY on Jean Genet's modern classic "THE MAIDS". THE MAIDS X 2. 訂閱：文章 (Atom). THE MAIDS X 2. 瘋祭舞台的何應豐特邀愛麗絲劇場實驗室的陳恆輝為法國作家尚‧惹內一九四七年創作的《女侍》(Les Bonnes /The Maids) 分別作出「一開二」的「自在閱讀」，為作品重新創作兩個不同的版本。何應豐試圖藉是次演出「雙重性」，拉開作者曾置身及目睹的「現代監牢」延伸思考：. 一方面遠觀陳恆輝如何探究原劇的詩情，展現尚‧惹內的萬華鏡像，另一方面則自建祭壇，訪尋人底荒誕如何在真實和假設間穿梭，冀藉以理解凝構幻界的存在需要。或許是戲劇，是此間面向如此世代餘下的最後攻略……. 原著：尚‧惹內 Jean Genet. 監製：何應豐、陳瑞如、黃穎文. 翻譯：何應豐（女侍）. 改編：何應豐（侍女）. 過 ‧ 渡.

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女侍／侍女The Maids x 2: 十一月 2009

http://themaidsx2.blogspot.com/2009_11_01_archive.html

The Maids x 2. A special collaboration between THEATRE FANATICO and ALICE THEATRE LABORATORY on Jean Genet's modern classic "THE MAIDS". The Future of an Illusion. Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Volume 21. The Future of an Illusion(1927). Translated by James Strachey. London: Hogarth Press, 1968. What we find in this text is the beginning of studies which were to be Freud's main interest for the rest of his life. CLICK TO VIEW FULL ARTICLE.

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女侍／侍女The Maids x 2: Gabrielle d'Estrées et une de ses soeurs

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The Maids x 2. A special collaboration between THEATRE FANATICO and ALICE THEATRE LABORATORY on Jean Genet's modern classic "THE MAIDS". Gabrielle d'Estrées et une de ses soeurs. Gabrielle d'Estrées et une de ses soeurs.jpg. THE MAIDS X 2. 訂閱：張貼留言 (Atom). THE MAIDS X 2. 一方面遠觀陳恆輝如何探究原劇的詩情，展現尚‧惹內的萬華鏡像，另一方面則自建祭壇，訪尋人底荒誕如何在真實和假設間穿梭，冀藉以理解凝構幻界的存在需要。或許是戲劇，是此間面向如此世代餘下的最後攻略……. 原著：尚‧惹內 Jean Genet. 監製：何應豐、陳瑞如、黃穎文. 翻譯：何應豐（女侍）. 改編：何應豐（侍女）. 導演：陳恆輝（女侍）、何應豐（侍女）. 胡美寶、莫穎詩、林燕、何應豐(侍女). The Future of an Illusion.

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何必。館 HO BIT GOON: 09.2007

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THE HUB on CULTURAL NONSENSE and NOTHINGNESS. 一張豎立著的床，中年男子「躺臥」其中。牆上掛著一個鐘，時間是六時三十八分。鐘，每隔三分鐘便自動走一個圈，回到先前設定的時點。男人看來輾轉反側，似在無時無刻與床搏鬥。他的動作時急疾、時緩慢，時平伏、時焦燥。身體，似進入一種「異常狀態」，與床作「終極格鬥」……. 男人的一舉一動，都變成一個投靠在牆上的黑影，似同步起舞，但又似不斷將動作拉開，展示其究竟，彷彿蛻變成一「獨立個體」，愚弄著跟前床上的身軀……. 房間傳出一條聲帶，驟聽是一個「貼身訪問」，像是男人的「自我造訪」；他的聲音，仿按摩著身體，輕柔的沿著拉緊的肌肉，試圖尋找一條「可馴服自己的路徑」：. 12300;怎麼了？又痛醒罷……哪裡？又是那個地方？」. 12300;……」. 12300;這裡對嘛？唏，先放鬆……讓我來……可以嘛？」. 12300;……」. 12300;就是這條肌肉……不是？還有哪裡？」. 12300;……」. 12300;哎呀！都痛罷？為甚麼不看醫生？」. 12300;……」. 12300;……」. Links to this post.

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何必。館 HO BIT GOON: 12.2006

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THE HUB on CULTURAL NONSENSE and NOTHINGNESS. 時：26.12.06. 人：Ky、hyf、群眾、購物節節目負責人. 購物節節目負責人走到後台叩門：「是時候開始你們的節目了！」. Ky拿起結他，步出舞台，獨自一人坐在舞台中央。他手抱結他，在跟前的兩個米高風，似靜待與他接吻。 Ky沒有行動。他甚麼也沒有做，只是坐著、觀察著展銷場內的購物狂流。舞台大後方的一幅巨型廣告似不奈煩，要獨佔整個舞台空間……. 台下大概有三十多「觀眾」，他們各似漫不經心的坐著，看來只是暫借此間的「空白」，舒展一下「繼續消費」的「疲憊腳步」……還有一大批路過的，對周遭發生的瑣事從沒多少好奇……. Hyf從台側走到「觀眾欄」，他手持一個無線米高風，沒打算走上台，只是遊走台下四周一回……. 購物節節目負責人站在「控制台」側，惶然四顧，當一切不能「如常運作」，生怕因沒弄清「節目」的底蘊，招來客戶的投訴……. Hyf一邊挑釁、一邊走上舞台，將Ky的米高風拉開，繼續「說三道四」……. Ky在沒有揚聲器底下，繼續高歌，愈彈節奏愈急、愈唱愈狂：. 12300;……真心話&#6529...最後&#65292...

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何必。館 HO BIT GOON: 01.2007

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THE HUB on CULTURAL NONSENSE and NOTHINGNESS. 人：049123、獄卒、聲音#１、聲音#２、聲音#３. 049123，名，不詳。囚室，填滿文字……. 此間，他胡弄著手上一根粉筆……. 粉筆突然脫手，碎了在地上……. 只是凝望著「碎片」的形態……. 聲音#１：睡罷……. 聲音#２：幻想。一種沒有任何價值的幻覺。黑色的。好像一隻戴上套的手。又一次穿入心房。試圖將僅存的感知偷走。若不是學會了易容術，恐怕早被下放黃泉。不可以睡。要保守著每一分秒可能的清醒。要學習在這僅餘空間打破一切常規觀念。讓幻覺衍生幻想。幻想衍生行動。行動再衍生聯想。非人。非物。非常態。繼續按任何可能發現的方式。活著。我。非我。額頭。標籤。只是你自娛想像。...獄卒走過，向他打了聲招呼，他沒回應……. 049123從牀頭拿出一本書，又將它把玩一會……. 他將內頁一塊一塊的撕成不同圖形，由碎粉筆的周圍開始，將之砌成像花瓣般開展放射的圖案；破碎的書頁，遂鋪天蓋地般將囚室地域幾近全然遮掩，剩下閘前僅可站腳的一小片…. 聲音#１：吃吧……. 聲音#３：我看過你拍的一齣電影僅有的一齣黑白電影沒有...

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何必。館 HO BIT GOON: 先生，您好？

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THE HUB on CULTURAL NONSENSE and NOTHINGNESS. 子：先生，您好？泥：還可以罷。您呢？子：……. 子：如您說，都是借題尋索罷了……. 子：哈，又逃不過先生眼界！子：無他，都是另一籮自我製造的麻煩！泥：……. 泥：我也有懷念麻煩的日子……. 子：唔……. 子：也許是罷……. 泥：先別理人家，先弄好自己的。子：但又是相對的事，總不能分得那麼清楚。泥：唔！也是……. 子：我想從不拘酲的大小，那怕它一朝破裂也何妨！泥：您既然能想及此，還有甚麼「麻煩」可言？子：是水……. 泥：唔……. 泥：水的形態多變而難料，其質更難下設定論……. 泥：若不是酲的存在，水怎向何用焦燥？子：唔……. 泥：您求的水質，因它不配您的酲！泥：都是泥打造的，何用如此著緊？子：只怕一個碎了，又找來另一個取代！子：就先學打造一百個酲，再來找您……. 泥：我有的是時間……. 子：只怕我沒有……. 子：哈，對！有！子：或許造到第九十九個酲，已不再在意水質的問題……. 子：如酲般，其「泥性」亦然。泥：唔……. 子：哈，對！子：哈，對！訂閱：發佈留言 (Atom).

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何必。館 HO BIT GOON: 04.2007

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THE HUB on CULTURAL NONSENSE and NOTHINGNESS. 人：049123、三塊臉孔、獄卒. 12304;049123呆站在「自我發現」的房間一角，凝神注射在某一線光處，良久不動、不語……. 12304;三塊臉孔在黑暗裡凝視著049123。三張口你來我往的支吾以對地吐出一系列似不相關但又相互叩問的話語。 12304;獄卒自成一角，把玩著唱盤上的一隻黑膠唱片，時有時無的播放著一些斷續不一的沙啞音樂，似不相關但又相互和應著三塊臉孔發出的聲音……. 二：沒想像中那麼祟高……. 三：自我證明著……. 三：我沒有想過愛你……. 一：在這種……. 二：審美的經驗中……. 三：再次雙重否定……. 眾：我不想感受不再愛你的感受……. 三：我愛的可沒有你……. 一：結集。解散。二：驅神。驅鬼。三：再解散。再結集。眾：我愛任何有合法地位的一方管它對還是不對……. 眾：雙重無效的概念……. 一：我愛你……. 二：但我不肯定你愛不愛我……. 三：無論任何情形下我也不愛你……. 三：套用著無法解釋的新概念……. 12288; 無法呈現的概念。 12288; 無法鬆脫的概念。 12304;0...

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何必。館 HO BIT GOON: 刺痛

http://whynotcrazy.blogspot.com/2007/09/blog-post.html

THE HUB on CULTURAL NONSENSE and NOTHINGNESS. 一張豎立著的床，中年男子「躺臥」其中。牆上掛著一個鐘，時間是六時三十八分。鐘，每隔三分鐘便自動走一個圈，回到先前設定的時點。男人看來輾轉反側，似在無時無刻與床搏鬥。他的動作時急疾、時緩慢，時平伏、時焦燥。身體，似進入一種「異常狀態」，與床作「終極格鬥」……. 男人的一舉一動，都變成一個投靠在牆上的黑影，似同步起舞，但又似不斷將動作拉開，展示其究竟，彷彿蛻變成一「獨立個體」，愚弄著跟前床上的身軀……. 房間傳出一條聲帶，驟聽是一個「貼身訪問」，像是男人的「自我造訪」；他的聲音，仿按摩著身體，輕柔的沿著拉緊的肌肉，試圖尋找一條「可馴服自己的路徑」：. 12300;怎麼了？又痛醒罷……哪裡？又是那個地方？」. 12300;……」. 12300;這裡對嘛？唏，先放鬆……讓我來……可以嘛？」. 12300;……」. 12300;就是這條肌肉……不是？還有哪裡？」. 12300;……」. 12300;哎呀！都痛罷？為甚麼不看醫生？」. 12300;……」. 12300;……」. 訂閱：發佈留言 (Atom).

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何必。館 HO BIT GOON: 誰說貓兒不講話２：難得自白

http://whynotcrazy.blogspot.com/2007/08/blog-post_25.html

THE HUB on CULTURAL NONSENSE and NOTHINGNESS. 時無定。景自選。一一，貓，自戲其中……. 訂閱：發佈留言 (Atom). 此部落格內所有短劇及圖片（Sarah Kane，Arthur Miller及Samuel Beckett照片除外）版權，均屬瘋祭舞台及何應豐擁有。未經書面授權，不得在任何商業媒體轉載、引用、或演出用途。若有需要，請聯絡info@theatrefanatico.org. Awesome Inc. 範本. 由 Blogger.

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何必。館 HO BIT GOON: 06.2007

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THE HUB on CULTURAL NONSENSE and NOTHINGNESS. Links to this post. 訂閱：文章 (Atom). 此部落格內所有短劇及圖片（Sarah Kane，Arthur Miller及Samuel Beckett照片除外）版權，均屬瘋祭舞台及何應豐擁有。未經書面授權，不得在任何商業媒體轉載、引用、或演出用途。若有需要，請聯絡info@theatrefanatico.org. Awesome Inc. 範本. 由 Blogger.

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何必。館 HO BIT GOON: 渡‧彌縫篇

http://whynotcrazy.blogspot.com/2007/05/blog-post_19.html

THE HUB on CULTURAL NONSENSE and NOTHINGNESS. 12304;法官面向一片白色，以空洞的手勢，支撐著身體向前移行的每一步。 12304;049123看似是他的「故知」，悠然相伴……. 法官：是一場瘟疫來臨的先兆……. 049123：那只是你依然焦躁不安的幻影……. 法官：那麼你……. 法官：那麼我……. 法官：……. 法官：一個教人急欲懸止中斷的「非正常世界」。 049123：你的「正常」只是一種美學般的幻見罷！ 049123：我也曾這樣想……. 法官：小時候父每就是這樣教導我……. 049123：……. 049123：……. 049123：你我就是曾幾墮落在這誤識裡的瘋子……. 法官：我曾是操控一切「正常化」價值的權力核心！ 049123：不是。只是一個被特許授予權力的器皿！ 049123：……. 法官：一個看似超我的美麗權力機器……. 049123：……. 法官：支配著一切行動的核心，還以為……那是一種無與倫比的視野……. 049123：……. 法官：……. 法官：當一個人過度認同任何一種意識形態……. 法官：有過的…….

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