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The Modernist Circle

Irina’s Section for 104 B. May 28, 2010 by iripopescu. In looking at “From Sand Creek” we notice how history functions as prose and how personal histories/ethnic histories function in poetry. Ortiz seeks to complicate the historical monologue and create a dialogue between personal, subjective histories and objective, depersonalized History. How does dialogism function here? In comparison to African-American versions of dialogism? Why do the poems lack titles? What are some examples of this? This space ha...

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The Modernist Circle | theworldonapage.wordpress.com Reviews
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Irina’s Section for 104 B. May 28, 2010 by iripopescu. In looking at “From Sand Creek” we notice how history functions as prose and how personal histories/ethnic histories function in poetry. Ortiz seeks to complicate the historical monologue and create a dialogue between personal, subjective histories and objective, depersonalized History. How does dialogism function here? In comparison to African-American versions of dialogism? Why do the poems lack titles? What are some examples of this? This space ha...
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7 on writing
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The Modernist Circle | theworldonapage.wordpress.com Reviews

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Irina’s Section for 104 B. May 28, 2010 by iripopescu. In looking at “From Sand Creek” we notice how history functions as prose and how personal histories/ethnic histories function in poetry. Ortiz seeks to complicate the historical monologue and create a dialogue between personal, subjective histories and objective, depersonalized History. How does dialogism function here? In comparison to African-American versions of dialogism? Why do the poems lack titles? What are some examples of this? This space ha...

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The Modernist Circle | Page 2

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Irina’s Section for 104 B. Angel Island:Wall as Paper. April 11, 2010 by iripopescu. Think about the idea of writing something on a wall—what happens when a poem or phrase is removed from its original location and repositioned upon a page of print? How important is the original location? Look at writing 31 from The Detainment. This individual, in witnessing the other poems, has to make his own mark. How. Do you read these poetic fragments? Are the simply notes of distress? Are these writings any good?

2

March | 2010 | The Modernist Circle

https://theworldonapage.wordpress.com/2010/03

Irina’s Section for 104 B. Archive for March, 2010. On March 6, 2010 22 Comments. Read Full Post ». On March 6, 2010 13 Comments. Again, this week is meant for you to compose your town posts! Think about this notion of America and how Tato rewrites America to fit his own particular culture/language. If you were teaching this poem, what would you hone in on? What would you point out to your students? Read Full Post ». On March 6, 2010 6 Comments. Read Full Post ». Theresa Hak Kyung Cha.

3

Lawson Fusao Inada | The Modernist Circle

https://theworldonapage.wordpress.com/2010/04/18/lawson-fusao-inada

Irina’s Section for 104 B. Laquo; Chinese Exclusion Act of 1882. Maxine Hong Kingston: Notes on The Woman Warrior. April 18, 2010 by iripopescu. How does Inada’s poetry reveal this notion of a ‘hyphenated’ individual, and what steps does he take to weave Japanese-American experience inside American history? These poems are all found in a collection published in 1993 entitled,. What did you think of his discussion of “among others”? Do a close reading of the following lines: “until the event, the ex...

4

Timelines | The Modernist Circle

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Irina’s Section for 104 B. Laquo; Angel Island:Wall as Paper. Chinese Exclusion Act of 1882. April 11, 2010 by iripopescu. In order to save some paper I have decided to put the historical timelines here. If you find better ones please feel free to post them for us all! African-American History Timeline: http:/ memory.loc.gov/ammem/aap/timeline.html. Asian-American Timeline: http:/ www.cis.umassd.edu/ gleung/nacaf/Timeline.htm. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

5

On Writing | The Modernist Circle

https://theworldonapage.wordpress.com/2010/05/23/on-writing

Irina’s Section for 104 B. Laquo; Theresa Hak Kyung Cha. May 23, 2010 by iripopescu. This space has been created to allow all of you to communicate with one another (if you wish to do so) on your upcoming paper topics. Use your comments to either discuss your papers, ask questions, talk about thesis formation or any problems you are coming across. Please know that you are the authors of these posts and therefore no one can take your ideas and use them as their own. On May 27, 2010 at 4:08 PM. And i just ...

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The Modernist Circle

Irina’s Section for 104 B. May 28, 2010 by iripopescu. In looking at “From Sand Creek” we notice how history functions as prose and how personal histories/ethnic histories function in poetry. Ortiz seeks to complicate the historical monologue and create a dialogue between personal, subjective histories and objective, depersonalized History. How does dialogism function here? In comparison to African-American versions of dialogism? Why do the poems lack titles? What are some examples of this? This space ha...

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