novisiblemeans.com
photography | No Visible Means
https://novisiblemeans.com/tag/photography
Life and travel and art and culture in Tasmania. Life and travel and art and culture in Tasmania. No Visible Means (of Support). August 22, 2016. August 22, 2016. By Andrew Ross - novisiblemeans. Tempest is probably the biggest single exhibition that TMAG (the Tasmanian Museum and Art Gallery. One of the centrepieces of the show, Tacita Dean’s huge unfixed chalk work ‘When I first raised the tempest’ No 17599, 2016. Shakespeare and his final play are a constant presence, with the bard himself depicted in...
virtuositas.org.au
Virtuosi Concert Notes 2013
http://virtuositas.org.au/past2013.html
Tasmania's premier ensemble bringing chamber music to regional Tasmania. MONA Organ Room Berriedale. Hans Vonk Music House Spreyton. Exeter Primary School, Exeter. Home Hill Winery, Ranelagh. L to R Karen Smithies and Rohanna Brown. Violin Sonata No 1 in A, Op 13. I Allegro molto II Andante III Allegro vivo IV Allegro quasi presto. L to R Rohanna Brown and Karen Smithies. Ludwig van Beethoven (1770-1827). Violin Sonata No 9 in A major, Op 47 "Kreutzer". Rohana Brown, violin. Karen Smithies, piano. Virtuo...
novisiblemeans.com
culture | No Visible Means
https://novisiblemeans.com/tag/culture
Life and travel and art and culture in Tasmania. Life and travel and art and culture in Tasmania. No Visible Means (of Support). August 22, 2016. August 22, 2016. By Andrew Ross - novisiblemeans. Tempest is probably the biggest single exhibition that TMAG (the Tasmanian Museum and Art Gallery. One of the centrepieces of the show, Tacita Dean’s huge unfixed chalk work ‘When I first raised the tempest’ No 17599, 2016. Shakespeare and his final play are a constant presence, with the bard himself depicted in...
novisiblemeans.com
Tasmania | No Visible Means
https://novisiblemeans.com/category/tasmania
Life and travel and art and culture in Tasmania. Life and travel and art and culture in Tasmania. No Visible Means (of Support). August 22, 2016. August 22, 2016. By Andrew Ross - novisiblemeans. Tempest is probably the biggest single exhibition that TMAG (the Tasmanian Museum and Art Gallery. One of the centrepieces of the show, Tacita Dean’s huge unfixed chalk work ‘When I first raised the tempest’ No 17599, 2016. Shakespeare and his final play are a constant presence, with the bard himself depicted in...
novisiblemeans.com
Photography | No Visible Means
https://novisiblemeans.com/category/photography-2
Life and travel and art and culture in Tasmania. Life and travel and art and culture in Tasmania. No Visible Means (of Support). The ridiculously picturesque bridge and Coal River at Richmond. August 6, 2016. August 6, 2016. By Andrew Ross - novisiblemeans. I know, it’s hackneyed and over-photographed and that I haven’t captured it at midnight. Or under an aurora. I also noticed that it has a National Engineering Heritage marker, recognising the significance of this bit of convict bridge-building. For th...
novisiblemeans.com
Andrew Ross – novisiblemeans | No Visible Means
https://novisiblemeans.com/author/novisiblemeans
Life and travel and art and culture in Tasmania. Life and travel and art and culture in Tasmania. No Visible Means (of Support). Author: Andrew Ross - novisiblemeans. August 22, 2016. August 22, 2016. By Andrew Ross - novisiblemeans. Tempest is probably the biggest single exhibition that TMAG (the Tasmanian Museum and Art Gallery. One of the centrepieces of the show, Tacita Dean’s huge unfixed chalk work ‘When I first raised the tempest’ No 17599, 2016. Shakespeare and his final play are a constant prese...
novisiblemeans.com
Art and Culture | No Visible Means
https://novisiblemeans.com/category/art-and-culture
Life and travel and art and culture in Tasmania. Life and travel and art and culture in Tasmania. No Visible Means (of Support). August 22, 2016. August 22, 2016. By Andrew Ross - novisiblemeans. Tempest is probably the biggest single exhibition that TMAG (the Tasmanian Museum and Art Gallery. One of the centrepieces of the show, Tacita Dean’s huge unfixed chalk work ‘When I first raised the tempest’ No 17599, 2016. Shakespeare and his final play are a constant presence, with the bard himself depicted in...
novisiblemeans.com
Art | No Visible Means
https://novisiblemeans.com/tag/art
Life and travel and art and culture in Tasmania. Life and travel and art and culture in Tasmania. No Visible Means (of Support). August 22, 2016. August 22, 2016. By Andrew Ross - novisiblemeans. Tempest is probably the biggest single exhibition that TMAG (the Tasmanian Museum and Art Gallery. One of the centrepieces of the show, Tacita Dean’s huge unfixed chalk work ‘When I first raised the tempest’ No 17599, 2016. Shakespeare and his final play are a constant presence, with the bard himself depicted in...
novisiblemeans.com
cityscape | No Visible Means
https://novisiblemeans.com/tag/cityscape
Life and travel and art and culture in Tasmania. Life and travel and art and culture in Tasmania. No Visible Means (of Support). Dark Mofo Part 2 – Painting the Town Red. June 17, 2016. By Andrew Ross - novisiblemeans. It’s not just large public buildings and infrastructure that are lit up to celebrate Dark Mofo in Hobart (see my pics of the Tasman Bridge. Beating heart – Hotel Grand Chancellor. Bahr’s, a Hampden Road institution. Tasmanian Museum and Art Gallery side entrance. In Hampden Road, the Narry...
novisiblemeans.com
Hobart | No Visible Means
https://novisiblemeans.com/tag/hobart
Life and travel and art and culture in Tasmania. Life and travel and art and culture in Tasmania. No Visible Means (of Support). August 22, 2016. August 22, 2016. By Andrew Ross - novisiblemeans. Tempest is probably the biggest single exhibition that TMAG (the Tasmanian Museum and Art Gallery. One of the centrepieces of the show, Tacita Dean’s huge unfixed chalk work ‘When I first raised the tempest’ No 17599, 2016. Shakespeare and his final play are a constant presence, with the bard himself depicted in...
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