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笑話百出，一仆一碌

Friday, October 24. Posted by 笑話百出，一仆一碌 @ 7:59 am. Sunday, October 5. 布殊可扮演蝙蝠俠中的小丑. Posted by 笑話百出，一仆一碌 @ 7:47 am. Saturday, August 23. 拒絕傻笑最廢金句. Posted by 笑話百出，一仆一碌 @ 7:20 pm. Wednesday, July 23. Posted by 笑話百出，一仆一碌 @ 8:40 pm. Wednesday, July 16. 錯字例如生活偷快、待人接吻. 可愛的食字好麵膳. Posted by 笑話百出，一仆一碌 @ 6:42 am. Monday, July 14. 空鋪通常都貼住旺鋪招租幾隻字. Posted by 笑話百出，一仆一碌 @ 9:35 pm. Sunday, May 25. 愛國不要說豆腐渣三個字. Posted by 笑話百出，一仆一碌 @ 7:54 am. View my complete profile.

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笑話百出，一仆一碌 | wecannothelp.blogspot.com Reviews

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Friday, October 24. Posted by 笑話百出，一仆一碌 @ 7:59 am. Sunday, October 5. 布殊可扮演蝙蝠俠中的小丑. Posted by 笑話百出，一仆一碌 @ 7:47 am. Saturday, August 23. 拒絕傻笑最廢金句. Posted by 笑話百出，一仆一碌 @ 7:20 pm. Wednesday, July 23. Posted by 笑話百出，一仆一碌 @ 8:40 pm. Wednesday, July 16. 錯字例如生活偷快、待人接吻. 可愛的食字好麵膳. Posted by 笑話百出，一仆一碌 @ 6:42 am. Monday, July 14. 空鋪通常都貼住旺鋪招租幾隻字. Posted by 笑話百出，一仆一碌 @ 9:35 pm. Sunday, May 25. 愛國不要說豆腐渣三個字. Posted by 笑話百出，一仆一碌 @ 7:54 am. View my complete profile.

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1 笑話百出，一仆一碌

2 一個個字第三百輯

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笑話百出，一仆一碌 | wecannothelp.blogspot.com Reviews

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Friday, October 24. Posted by 笑話百出，一仆一碌 @ 7:59 am. Sunday, October 5. 布殊可扮演蝙蝠俠中的小丑. Posted by 笑話百出，一仆一碌 @ 7:47 am. Saturday, August 23. 拒絕傻笑最廢金句. Posted by 笑話百出，一仆一碌 @ 7:20 pm. Wednesday, July 23. Posted by 笑話百出，一仆一碌 @ 8:40 pm. Wednesday, July 16. 錯字例如生活偷快、待人接吻. 可愛的食字好麵膳. Posted by 笑話百出，一仆一碌 @ 6:42 am. Monday, July 14. 空鋪通常都貼住旺鋪招租幾隻字. Posted by 笑話百出，一仆一碌 @ 9:35 pm. Sunday, May 25. 愛國不要說豆腐渣三個字. Posted by 笑話百出，一仆一碌 @ 7:54 am. View my complete profile.

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笑話百出，一仆一碌: September 2006

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Friday, September 29. 廢人咩野都話廢的人. Work sheet 中學生一定會讀成work shit. Posted by 笑話百出，一仆一碌 @ 4:29 am. Sunday, September 24. 天賦人權個天話冇賦個喎. Posted by 笑話百出，一仆一碌 @ 7:05 am. Thursday, September 21. Posted by 笑話百出，一仆一碌 @ 5:00 am. Sunday, September 17. Posted by 笑話百出，一仆一碌 @ 6:41 am. Friday, September 15. 貝多芬估唔到我的命運交響曲會成為倒扁主題曲. Posted by 笑話百出，一仆一碌 @ 6:25 am. Wednesday, September 13. Posted by 笑話百出，一仆一碌 @ 9:09 am. Friday, September 8. Posted by 笑話百出，一仆一碌 @ 9:04 am. Tuesday, September 5. 拒絕傻笑 XY. 底褲都按埋 UA話得就得啦.

2

笑話百出，一仆一碌: June 2006

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Thursday, June 29. Posted by 笑話百出，一仆一碌 @ 9:10 am. Tuesday, June 27. 點解貼仔因為佢係我生嘅仔仔. Posted by 笑話百出，一仆一碌 @ 7:54 am. Monday, June 26. Posted by 笑話百出，一仆一碌 @ 9:27 am. Sunday, June 25. 內疚最近除了看廉政追緝令，什麼事也沒認真做過. 都市的男人要用腳夾住個公事包小便. 概念不同牛頓發現了地心吸力，但沒有發明 amazing bra. 舉手之勞請SMS 射鵰 Chapter 1給我. Posted by 笑話百出，一仆一碌 @ 7:50 pm. Saturday, June 24. Imagination was given to man to compensate him for what he is not; a sense of humor to console him for what he is. Posted by 笑話百出，一仆一碌 @ 6:50 am. Friday, June 23.

3

笑話百出，一仆一碌: August 2006

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Wednesday, August 30. 內地叫法曾特曾特首、陳老陳老師. Phantom of the Opera 唔明點解家姐要在做面膜時唱歌. 過時我以這個理由拒絕看理想國及論語. Posted by 笑話百出，一仆一碌 @ 9:30 am. Sunday, August 27. 拒絕傻笑扮貓叫. 喵喵扮貓叫，都會惹上官非美國賓夕凡尼亞州珍妮特 Jeannette 一名14歲男孩，涉嫌每次見到某位鄰居，都扮貓叫打招呼，法官正研究男孩的行為是否算得上騷擾。洛內 MichaelLoughner 一直對78歲的鄰居卡拉西亞 AlexanderiaCarasia 懷恨在心，事緣她曾報警投訴洛內的貓兒在她花園便溺，洛內被迫把貓兒送走，寄養在外祖父母家。被喵 3年鄰居興訟. Posted by 笑話百出，一仆一碌 @ 8:08 pm. Saturday, August 26. Posted by 笑話百出，一仆一碌 @ 4:28 am. Thursday, August 24. 才子不如唸燕詩作燕窩廣告. 感情豐富今天激慘、爆開心. 拒絕傻笑兒童不宜.

4

笑話百出，一仆一碌: February 2006

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Tuesday, February 28. Posted by 笑話百出，一仆一碌 @ 9:20 am. Sunday, February 26. 笨到底為什麼別人擔擔抬抬總是比我輕鬆. 最新辯論題目中學生有沒有拍拖權之前為中學生應不應談戀愛. Posted by 笑話百出，一仆一碌 @ 8:29 am. Friday, February 24. DJ Mummy 煮完飯，仲要捽碟. 讀名校往往是家長想讀，而非 on車車的小朋友想. 擬人法歷史幾狼都有. 有冇攪錯有冇有冇係無分別既. Posted by 笑話百出，一仆一碌 @ 7:06 am. Thursday, February 23. 拒絕傻笑廁所讀物. 出版之門據上海文匯讀書周報 2006-02-17消息報道. 據報道，2006年2月9日莫斯科共青團報透露，俄羅斯廁所協會主席. Posted by 笑話百出，一仆一碌 @ 7:15 am. Wednesday, February 22. 阿rain 個阿字肯定唔係韓文. 畫餅充飢在紙上狂寫美少女三個字. Monday, February 20.

5

笑話百出，一仆一碌: March 2006

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Wednesday, March 29. 米中極品，全申力量留意廣告，品字在方力申的乳頭上. Before the Big Bang. Posted by 笑話百出，一仆一碌 @ 7:56 am. Tuesday, March 28. 效法三島由己夫我已經寫完最後一期龍虎豹，係時候自閹唏啊.唏. 私刑一阿邊個，唔該幫我拆晒個 Keyboard D 掣落黎洗。 Posted by 笑話百出，一仆一碌 @ 5:59 am. Monday, March 27. 我先我先職員搶著說我要到巴哈馬，開著遊艇，自在逍遙。驚嚇之後，換我換我業務代表說我要在夏威夷，和女按摩師躺在沙灘上，還有喝不完的pina coladas，和生命之愛。 Posted by 笑話百出，一仆一碌 @ 8:33 am. Saturday, March 25. Road Show 最難問題邊個哲學家說要認識自己 A.蘇格拉底 B.劉德華 C.蘋果. Posted by 笑話百出，一仆一碌 @ 10:44 pm. Friday, March 24. Posted by 笑話百出，一仆一碌 @ 8:51 am.

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between psychosis and hysteria: 04.2011

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Between psychosis and hysteria. 12300;我願意立地指天，向這個大得不可收拾的城市宣稱——我現在是一頭完整的野獸」. 一種笑聲，兩個問題——短論《壽西斯古》. 一九廿九年，俄國導演維托夫發表了《拿攝影機的人》，明明是有故事想講但偏偏以今天我們慣常用語裡的紀錄片手法呈獻出來。電影空前之處，在於他和他的攝制隊，真的拿著攝影機到處跑，看來紀錄國人的日常生活、日常環境、用具、場面等，出來的作品卻既有實牙實齒的紀實性，亦有詩化能量極強的意象，更有到今時今日為止大家還是玩得樂此不疲的後設元素：不僅告訴觀眾不要太入代，大家在只是在電影院中看一套電影，亦進一步把電影的攝制、剪接過程統統都放進電影裡，成為電影的一部份。維托夫的野心，毀滅所有非紀綠片的制作，並替電影創造出一種&#1230...即使經典如《拿》，也有評論指其並不是純粹的紀實，即個別場境其實是有安排演員演出的，那麼andrei ujica的. 又麼如何分類或定位呢？如電影節的簡介所說：「說是紀錄片不恰當，該是真人演出的劇情片。導演沒拍過半個鏡頭&#65292...若果影像與所謂的「真實」永遠有著一條...這也許不是羅馬尼亞獨有...

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between psychosis and hysteria: 01.2012

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Between psychosis and hysteria. 12300;我願意立地指天，向這個大得不可收拾的城市宣稱——我現在是一頭完整的野獸」. 排山倒海關於內地人在香港巴士上開枱吃橙、在醫院打邊爐、在街頭小便拉屎等片段，上千人聚集在尖沙咀某名店外示威抗議，再加上本地評論人出書論述香港自治等，情緒一下子成為了許多香港人行事思考的火車頭，身份問題也彷彿成為了香港的焦點。或許香港人由六七十年代的艱苦拼搏，進入到八九十年代的歌舞昇平，再到回歸後急轉直下處處要靠內地政策拖捨和接濟，情緒大上大落之間都忘記了思考和反省的重要性和滿足感，幾十年以來也不過是當下感覺的囚徒。如果這樣說抽象得令人髮指，近日讀二十世紀日本思想家竹內好的文集，其精神和實踐的結合當能註腳說明說明。他所面對的問題，就是在日本自明治到戰後的大上大落之間，如何定位及實踐主體性。本身是魯迅研究者的竹內好，看著日本發達的中國古典文學研究及所謂「支那」（China）學日益官僚化、權...邊界是隨民族國家的興起而來很玄妙的一種現代觀念。有如雞先還是蛋先的兩難，到底是先有排他的民族觀念在先，還是有把人類物理地...至於香港，1842年的...

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between psychosis and hysteria: 03.2010

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Between psychosis and hysteria. 12300;我願意立地指天，向這個大得不可收拾的城市宣稱——我現在是一頭完整的野獸」. The stranger, clothed in his new thoughts, acquires still more partisans in the ways of silence. Anabasis, Saint-John Perse. 康德在他的遺作《conflict of the faculties》問及一條看來有點天真有點傻的問題：人類可以持續地進步嗎？大哲所指的，當然不是科技、經濟等世俗面向，而是人類的倫理道德領域。時值十八世紀末，面對紛亂的局面，康德卻認為進步是有可能的。他當然不是無厘頭樂觀的發展主義者，同期的法國大革命是他不至於完全絕望的例證。位於上水石崗的菜園村，是一條寧靜的非原居民小村。村民都是五十年代起由國內逃難到香港的，村裡的一磚一瓦一井一樹均是村民幾十年來的血汗成果。由菜園村支援組成員製作的《鐵怒沿線》，一改印象中社運紀錄片作風：遊行示威、官員對...但真是風馬牛不相及嗎？當然，飽讀理論...從根本講&#65292...

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between psychosis and hysteria: 09.2011

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Between psychosis and hysteria. 12300;我願意立地指天，向這個大得不可收拾的城市宣稱——我現在是一頭完整的野獸」. 一個權傾天下，或明或暗地統治著半個地球的大人物，問一位詩人：以今時今日我擁有的一切，有甚麼可以轉贈給你呢？你估詩人會如何回答？又或者，你會如何回答？不外乎金銀財寶吧，深思一點則大概會答，可以多給幾個願望嗎？精神分析理論對這種問題的教訓，就是主體並不可能直接獲得其欲望客體。亦即是，人並不可能直接而毫無代價地得到他欲求之物；能到手的一般都只是某種替代，更甚者，當欲望直接滿足時，太過真實所導至的只能是精神崩潰或類似的災難性結果。然而無需精神分析理論，《大國民》導演奧森威爾1955年的作品《阿卡汀先生》（Mr. Arkadin），便以一個偵探故事揣摩了上述情景。調查的過程，卻命定地成為一部無法逆轉的殺人裝置：小混混逐步調查所得的涉事人物，全部遭到大亨所殺害，當然小混混最後亦自身難保。二零零七年，時值回歸中國十周年，香港發生了一場保衛「皇后碼頭」運動。運動的主體是一群自稱「本...二零一一年三月上旬，香港特區政府的財政司司長於財政預算中提議&#...

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between psychosis and hysteria: 11.2011

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Between psychosis and hysteria. 12300;我願意立地指天，向這個大得不可收拾的城市宣稱——我現在是一頭完整的野獸」. 到要收割的時候，才裝模作樣的給你寫信，其實太不像樣。只是平日明明朝夕相見，似乎更沒理由要迂迴的寫信。見諒。讀上世紀老外人類學家的文章，才知道在有權有地的原居民眼中，種菜都是外來人，都是戰後來到香港冇人冇物的移民。據說外來人只有生計的壓力，沒有家族的包袱，於是便把田地都小塊小塊的租回來，一年七八茬，種菜糊口也。原居民不僅整個年度種植計劃都根據水稻的周期來行事，以至相關的祭祀和儀式的，都以種米的時間表為基礎的。從起源來說，水稻田一般面積較大，平整田地修建灌溉系統也需要全村總動員，今天已被人嗤之以鼻代表著「唔使做」的所謂「太公分豬肉」，曾經卻是對於集體勞動的由衷回報。也...傳統的說法是立秋後插的秧是長不直的。今天農曆的立秋前，熱得幾乎只記得蟬鳴的八月初，我們除草犁田浸水培禾秧，趕種第一茬水稻。操作犁田機劃線收秧插秧等工序，對於我等連瓜菜豆也未種得熟手者來說，簡...電影技巧向有「景深攝影」的概念，即把可以蒙太奇切割...電影的開首，事實上已說...

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between psychosis and hysteria: 07.2010

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Between psychosis and hysteria. 12300;我願意立地指天，向這個大得不可收拾的城市宣稱——我現在是一頭完整的野獸」. 有一次，菜園生活館的總監兼農業技術顧問tv先生指著一棵發育不良的豆，徐便說了一個可歌可泣，動人而悲壯的故事。植物開花才會結果，這是成熟成長的不二過程，開花表示植物已達壯年，是其生命周期的高潮，結成果實無非是為這棵能夠長得壯麗耀眼的植物，留個後代繁殖下去。然而，若某造作物，因為土壤、氣氛、人為照顧等因素，無法長到宏偉長到靡爛，故事會如何發展下去呢？在這條件下長出的果實，從外觀或美學角度看，未必比超市貨架及街市菜檔的漂亮及優秀；純以生物學或功能的角度看，可能亦不是甚麼驚天地泣鬼神的物理反應；從現今市面泛濫的家庭價值及教條道德的角度看，這棵發育不良的小豆或者更有基右傾向之嫌。狗智的態度卻剛好相反。狗智者是永恒的冒險者，他孑然一身，不依賴任何既有的權力、利益、建制網絡及價值觀——這種不依賴本就冒犯和挑釁著已經制度化了的荒謬。換言之，他沒有...Subscribe to: Posts (Atom). View my complete profile.

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between psychosis and hysteria: 01.2011

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Between psychosis and hysteria. 12300;我願意立地指天，向這個大得不可收拾的城市宣稱——我現在是一頭完整的野獸」. 被禁止的公益 ——如果菜園村是一場戰爭. 美國導演大衛連治1986年的《blue velvet》的第一幕：從蔚藍天空搖下的鏡頭，但見純白籬笆和鮮紅小花，單純簡樸的小鎮上，消防車和小孩在溫暖的太陽下慢動作走過，老人在自家花園中澆水。在悠揚樂韻裡，水喉意外卡住了，老人亦突然心臟病發倒臥在地，鏡頭切到草地，並逐漸推近放大，裡面的昆虫其實正在進行殊死的搏鬥，配樂也變為地獄般的聲線扭曲——正當其時，小孩還天真無邪地走近，小狗也本能地在跌在地上的水喉找水喝。搬村在香港沒太多先例，對非原居民的散村更是前無古人。村民並不是各自買現成的房子，而是把所有家庭買地的錢湊在一起，成立一間所有家庭合資的公司購買農地。在多位建築師、測量師和規劃師等專業人士協助下，新村土地規劃亦是他她們花了數以百小時計的會議時間，以民主方式共同決定。房子採用生態友善及...菜園新村從規劃到建屋到新村日後的經濟活動，都是以民主、參與式、社區為本等作為大...法哲德里達在〈論絕對的...

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between psychosis and hysteria: 08.2011

http://yeahayeah.blogspot.com/2011_08_01_archive.html

Between psychosis and hysteria. 12300;我願意立地指天，向這個大得不可收拾的城市宣稱——我現在是一頭完整的野獸」. 我們農場所在的村子，村口循例有間士多，旁邊樹頭循例坐著幾個加上來幾百歲的老人兒。出出入入與她們早晨、食左飯未、開工啦之類，就是最低度的友善。小休午餐收工時，我們都會在士多買飲品解渴。起初，在我們離開之後，她們都會悄悄把鋁罐撿回。事實上，村口對面的垃圾站是她們流連的地方，大型的家俱建築廢料會翻，家居垃圾廚餘等她們也不放過。三番四次給我們見到阿婆檢過了期的餅乾吃；紙皮木板鐵料甚麼的，總有收獲。看多了，我們便主動把罐子踏扁送她們，並會把家中的罐都收集起交給她們，有時順手加一包特地買的餅乾。就如化肥，即化學合成的肥料，在人類耕種史上出現還不到三百年。今天據說是潮流、自製堆肥拒絕農藥重視社區經濟的有機耕種和永續農法，其實也不過追本溯源。今天我們都理所當然地認為垃圾就是「舊了」、「沒有利用價值」、&...喪屍當然就是喪屍片的產物。但喪屍片到底要告訴我們甚麼？這電影類型在西方社會流行而歷久不衰，本身就是值得理解和思考的現象&...喪屍片的故事通常在甚麼地方發生呢&#...

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