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Colour Work 1987-93

1220mm x 1830mm, c-type photograph. Originally from a series of images (cover and section dividers) for the book Art Critics by Lau Kin Wei. Published by Tin Yuen, 1992. Subscribe to: Posts (Atom). Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative.

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Colour Work 1987-93 | leekasing-colourwork.blogspot.com Reviews
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1220mm x 1830mm, c-type photograph. Originally from a series of images (cover and section dividers) for the book Art Critics by Lau Kin Wei. Published by Tin Yuen, 1992. Subscribe to: Posts (Atom). Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative.
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Colour Work 1987-93 | leekasing-colourwork.blogspot.com Reviews

https://leekasing-colourwork.blogspot.com

1220mm x 1830mm, c-type photograph. Originally from a series of images (cover and section dividers) for the book Art Critics by Lau Kin Wei. Published by Tin Yuen, 1992. Subscribe to: Posts (Atom). Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative.

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leekasing-colourwork.blogspot.com leekasing-colourwork.blogspot.com
1

Colour Work 1987-93: Environment

http://www.leekasing-colourwork.blogspot.com/2010/09/environment.html

1220mm x 142mm, c-type photograph. Originally for the cover of Sin Tao Weekly. Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative. Twenty-four Photographers (Positive and Negative version).

2

Colour Work 1987-93: A Half-face Lady and the Moving Helicopter

http://www.leekasing-colourwork.blogspot.com/2010/09/blog-post_602.html

A Half-face Lady and the Moving Helicopter. 1220mm x 1460mm, c-type photograph. Originally for the cover of Sin Tao Weekly. Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative. Twenty-four Photographers (Positive and Negative version).

3

Colour Work 1987-93: On Art Criticism

http://www.leekasing-colourwork.blogspot.com/2010/09/blog-post_3665.html

1220mm x 1830mm, c-type photograph. Originally from a series of images (cover and section dividers) for the book Art Critics by Lau Kin Wei. Published by Tin Yuen, 1992. Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative.

4

Colour Work 1987-93: Journey

http://www.leekasing-colourwork.blogspot.com/2010/09/blog-post_5599.html

1220mm x 178mm, c-type photograph. Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative. Twenty-four Photographers (Positive and Negative version).

5

Colour Work 1987-93: Sheung Ngor On Top of My Another Negative

http://www.leekasing-colourwork.blogspot.com/2010/09/blog-post_8857.html

Sheung Ngor On Top of My Another Negative. 1220mm x 1630mm, c-type photograph. Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative. Twenty-four Photographers (Positive and Negative version).

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李家昇博物志之交換眼神博客: Selfie。黃碧雲。及其他

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現在流行拍selfie。是手機照相發展開來之事。因為selfie流行,也發展了以輕巧的monopod來作自拍工具。在大約90年代初期,我也使用一管類似而又極之纖巧細小的單腳,不過當時不是selfie,而是用以隨手拍攝不可觸及的角落-例如以極低角度,又例如將棒子伸出窗外,拍攝本是不可能的可能。也許也拍過一些從高角度鳥覧的合照。改天從底片存庫找找,說不定會有所發現。有一個selfie工具,也許現在還未有人開始使用- 某天翻閱舊底片,有張selfie是在1986年拍,烏魯木齊的旅行車上,鄰坐的是黃碧雲。我是想說那個selfie工具是一面十乘十吋見方的鏡子。可以清楚見到當時使用的是Minox照相機。 12300;. 他旅程中攜帶道具:一面巨大的絲質五星旗、一瓶吹泡泡的玩意和一面鏡子。」也斯在《香港文化十論》(浙江大學出版社)其中一文談我的攝影生活就提過那面鏡子。當然,鏡子不是為自拍而攜帶。紅旗,我是用了,分別拍了一些照片&#...蕭永龍:我收藏的三毫子小說書目——環球、海濱、ABC、文風等. 左邊為三毫子的小說報(八開本),右上為環球小說叢(十六開&#65...第一本書* 劉以鬯一九一八年生於上海&#65292...

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李家昇博物志之交換眼神博客: 友誼與合作

http://www.leekasing.net/2014/01/blog-post.html

1984年也斯寫了一首詩「看李家昇黃楚喬照片冊有感」。詩中的細節,很好的記錄了那一段日子大家的相處與活動。這個時候,大伙常有聚會,要不是在銅鑼灣也斯的家,就是在北角我處。這首詩最初發表在「秋螢詩刊」1986年四月,也斯的專號。也斯有7首詩,分別由七位藝術工作者製圖。一點是承傳了也斯等人在七十年代初的詩畫展活動。當時秋螢的經驗,也影響了我後來在九十年代辦的攝影刊物「娜移」。這首詩後來收入了「游離的詩」(牛津,1996)。他把詩作了少許改動,篇末註明1984年九月初稿,1993年迴環再造。修改本除了部份變得更加暢順之外,一點是加強了社會意識。我私下還是喜愛原來的版本。 1988年我替也斯做了另一本書的封面 -「三魚集」。也斯在後記中稱我送了他三塊石頭。封面華麗複式層層疊疊。當時剛替貿易發展局的刊物拍完一輯照片,「三魚集」的封面便是依那個方向,進一步發展開來。我的裝置方式攝影,從那個時候起步,看者不難梳理出一水脈絡。當時&#652...1990年市政局圖書館邀請也斯和我一同做個詩與攝影的展覽。想必是早年的詩畫展覽,及後來「秋螢詩刊」也斯詩專號所波動出來的...1992年香港大學出版了也斯中英文版詩集&#653...

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李家昇博物志之交換眼神博客: 《朱舜水與德川光國》

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蕭永龍:我收藏的三毫子小說書目——環球、海濱、ABC、文風等. 左邊為三毫子的小說報(八開本),右上為環球小說叢(十六開),右下為四豪子(三十二開) *環球小說叢:* 12:喬又陵:《藍骷髏》,出版者:環球圖書雜誌出版社、香港上環新街7至9號、電話:36470•29811、信箱:1586、電報掛號:4013,印刷者:環球印刷所,(插圖十幅),編號:4474,7.8.A,. Http:/ sculptingtime.tumblr.com/. 看電影《十萬水急》(A perfect day)是很愉快的經驗,我憶起在讀大學和研究的那些年,每年總要找至少一部這樣的電影來看,元素包括:在荒野或不毛之地,多樣的人群,一點點瘋狂的元素,能夠解決大小問題的人。《十》裡面能夠解決問題的就是馬布魯 (班尼斯奧狄多路飾)——好啦我承認我偏心能夠解決問題的中年人。 與時間赤腳慢跑──讀李柚子詩集《孕婦》. 文章見5月2日的《明報》,各方友好若知所說的照片,不妨告知或貼覆也。 機倉內閱讀方太初新書。遇氣流衝刺閃避鄰座,紅酒傾倒在桌上,書邊泛染得綺紅斑駁. 昨天在朋友家中遇到一個第一次見面的人,她悉知我曾經幹過攝影工...

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李家昇博物志之交換眼神博客: 「閒話攝影」李家昇中文譯本並後記關於「日塔富夫相機店」

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12300;閒話攝影」李家昇中文譯本並後記關於「日塔富夫相機店」. 閒話攝影 (On Photography). 日塔富夫(Tomio Nitto)設置於INDEXG的「日塔富夫相機店」已是幾個月的光景,最近我把這個小角落完善了少許,十二月打算來個正式啟航。在店的旁邊我裝置了一件攝影作品,題目為「On Photography」,我把它中譯為「閒話攝影」,乃屬「 游動詩寫室. 12301;系列。昨天,忽生奇想 - 不如把此則影像作品翻譯成文字版本。當年龐德(Ezra Pound)把李白等人之唐詩翻譯為英文,所據者原為日文至英文的另一二手譯本。葉維廉稱龐德是個間接譯本乃個好物。撇開信雅達不談,蓋龐德坐唐詩之神髓而遙逍自行游弋去也。我們不以傳統之翻譯標準論之,龐德也視此翻譯為個人創作耳。我說的奇想也只是試從別的角度把問題思索。從一國文字翻譯成為他國語文,部份精要之處往往容易流失,中國古典詩之翻譯在此方面...日塔富夫居多倫多四十餘年,專事插圖。八十至九十年代可謂盛世,近年插圖工作量明顯減少了。有一天,閒談間建議他不如闢一方向專事繪畫照相機&...第一本書* 劉以鬯一九一八年生於上海,原名同繹&#...

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李家昇博物志之交換眼神博客: 「友誼與合作」羅輝英譯文本

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2014 年一月在香港舉行紀念也斯的展覽,大會出版了一本180多頁的特冊:「回看也斯」。吳煦斌約我寫一篇文字談我與也斯的友誼及過往的合作。畫廊工作身不由己,幾乎過了截稿時份方才完稿。羅輝在百忙中,在很短時間內替我做了個英譯,在此深謝。收編在這裡作個參考物。欲看中文原稿, 可按此連結. Between Friendship and Collaboration. Translated by Luo Hui. Ping Kwan wrote a poem in 1984 called ‘ Leafing through Wingo and Holly's Photo Albums. Also had an impact on Dislocation. A photography magazine that I edited in the 1990s. That one particular poem was later collected in Poetry of Moving Signs. Oxford 1995). Ping Kwan later made revisions to the poe...

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李家昇博物志之交換眼神博客: 《回環再造內地和香港的影像》也斯談李家昇的攝影

http://www.leekasing.net/2012/08/blog-post_7.html

65288;網上游覽,見搜狐讀書網刊出也斯《回環再造內地和香港的影像》。該文節錄自浙江大學出版社於今年七月出版也斯的「香港文化十論」。我手頭並無該書,應為第六章<在雅俗之间思考香港的文化身份——以攝影為例談通俗文化與藝術的關系雅俗文化再思考, 回環再造中國內地和香港的影像以詩與解說開展文化空間>一文的部份內容。1993年我在香港藝術中心做了一個攝影展覽,邱良主持的影藝出版社以展出的全部31件展品為基礎出版了一冊攝影集「李家昇照片冊」。也斯為我的書寫了一篇頗長的導文,並有中英文本。該文也即是以上提到的第六章之原始版本。搜狐讀書網所節錄的部份剛好是談及關於我早期的一些照片,不期然地想到把這個節錄的其中部份轉貼,相信對他人理解我較早期的作品會有所幫助。原文還有談到我其他的一些照片,&...廣場,1990年作品,920mm x920mm). 在時間盡頭的城市,1992年作品, 1220mm x 1730mm, 東京都寫真美術館藏). 李後來為六月藝展做場刊,以膠布做封面。在1983年的《六月藝展》中,他參展的作品“City at ...在影室的實用性攝影工作上,李家昇一般負責靜物攝影&#65292...

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李家昇博物志之交換眼神博客: 《陳黎跨世紀詩選1974-2014》, Bob Black 上週從台灣帶回來所贈

http://www.leekasing.net/2015/06/blog-post.html

12298;陳黎跨世紀詩選1974-2014》, Bob Black 上週從台灣帶回來所贈. 12298;陳黎跨世紀詩選1974-2014》(印刻 ISBN 978-986-5823-72-6),Bob Black 上週從台灣帶回來所贈。昨天,倒序讀了一遍,即從2014年最後的一首詩讀起。及後,做了「圖本雜事俳句」一貼,題目如下:. 12300;倒序讀陳黎跨世紀詩選(1974-2014)。在反清復明,或失明(正如你說)之間。唐詩不一定是甜;讀宋詞烹餸,美酒佳肴華麗,也總有人喜歡清菜淡飯。有個小秘密予你:我們喜歡的人包括你;滿腦子弧綫的Henrik Drescher;寫攝影的飯澤耕太郎(也熱衷磨菰及寫詩);講巴哈的Robert Greenberg都是出生於1954(其實我也是同年)」. Http:/ leekasing-haiku.blogspot.ca/2015/06/blog-post 12.html. 蕭永龍:我收藏的三毫子小說書目——環球、海濱、ABC、文風等. Http:/ sculptingtime.tumblr.com/. 65288;原刊於明報周日讀書版) 諾貝爾文學獎一揭曉...

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李家昇博物志之交換眼神博客: 《我和我 西川集 1985-2012》

http://www.leekasing.net/2015/06/blog-post_17.html

12298;我和我 西川集 1985-2012》. 12298;我和我 西川集 1985-2012》,(作家出版社,2013年10月第一版 ISBN 978-5063-7017-2) 「標準詩叢」第一輯之其中一冊,其他包括于堅,王家新,多多,歐陽江河等。 蕭永龍:我收藏的三毫子小說書目——環球、海濱、ABC、文風等. Http:/ sculptingtime.tumblr.com/. 看電影《十萬水急》(A perfect day)是很愉快的經驗,我憶起在讀大學和研究的那些年,每年總要找至少一部這樣的電影來看,元素包括:在荒野或不毛之地,多樣的人群,一點點瘋狂的元素,能夠解決大小問題的人。《十》裡面能夠解決問題的就是馬布魯 (班尼斯奧狄多路飾)——好啦我承認我偏心能夠解決問題的中年人。 與時間赤腳慢跑──讀李柚子詩集《孕婦》. 文章見5月2日的《明報》,各方友好若知所說的照片,不妨告知或貼覆也。 機倉內閱讀方太初新書。遇氣流衝刺閃避鄰座,紅酒傾倒在桌上,書邊泛染得綺紅斑駁. 崑南的空間 QUANAN VIRGOSPACE ecapsogriv nanauq. 昨天在朋友家中遇到一個第一次見面的人&#65...

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李家昇博物志之交換眼神博客: 香港點註腳集 20100203-31 蔣芸

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65288;香港點註腳)蔣芸,1981年。蔣芸來影室時給我們帶來了一大束滿天星。黃楚喬約了她來是爲她拍照。看蔣頭上束了一條小辮子,一身絹白的唐裝襯衣,布地有著規則排列的暗花圖案。當時,蔣是清秀雜誌主編。 蕭永龍:我收藏的三毫子小說書目——環球、海濱、ABC、文風等. Http:/ sculptingtime.tumblr.com/. 看電影《十萬水急》(A perfect day)是很愉快的經驗,我憶起在讀大學和研究的那些年,每年總要找至少一部這樣的電影來看,元素包括:在荒野或不毛之地,多樣的人群,一點點瘋狂的元素,能夠解決大小問題的人。《十》裡面能夠解決問題的就是馬布魯 (班尼斯奧狄多路飾)——好啦我承認我偏心能夠解決問題的中年人。 與時間赤腳慢跑──讀李柚子詩集《孕婦》. 文章見5月2日的《明報》,各方友好若知所說的照片,不妨告知或貼覆也。 機倉內閱讀方太初新書。遇氣流衝刺閃避鄰座,紅酒傾倒在桌上,書邊泛染得綺紅斑駁. 崑南的空間 QUANAN VIRGOSPACE ecapsogriv nanauq. 怎樣可以影一張「靚」(美也)相. 昨天在朋友家中遇到一個第一次見面的人,她悉知我曾...

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LEE KARTIS BUILDING DESIGN Home

Beverly Hills Guest House. LEE KARTIS BUILDIING DESIGN. Beverly Hills Guest House. Beverly Hills Guest House. Beverly Hills Guest House. Beverly Hills Guest House. Construct your dream home with Online collaborative design sessions and transform your personal vision of sophisticated living into 3D scaled plans, photorealistic renderings, virtual video tours, and CAD files ready for your engineering team. See my services video below. I am Lee Kartis and I want to help you design your dream home. Please ta...

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Leek Arts Festival – Live music, theatre, art, cinema and more – see it all in May

Box Office 01538 386112. Foxlowe Arts Centre, Market Place. Foxlowe Arts Centre, Market Place. Barbara Dickson with Nick Holland. Foxlowe Arts Centre, Market Place. Foxlowe Arts Centre, Market Place. Foxlowe Arts Centre, Market Place. Nicholson Museum & Gallery, Stockwell Street. Staffordshire Moorlands Open Art Exhibition. Foxlowe Arts Centre, Market Place. The Dark Room Live - Kids Show 4pm, Adult show 7:45pm. Foxlowe Arts Centre, Market Place. Foxlowe Arts Centre, Market Place. Leek Arts Festival 2018.

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Leekartsfestival – Devoted To Leekartsfestival Fineness

Devoted To Leekartsfestival Fineness. Find out Singapore for the Countrywide Museum. April 2, 2018. Singapore is really a country having http:/ www.anaya.com.sg/attractions/singapore-attractions-ticket-wholesaler/ a wealthy and vibrant background; the fate of your country has generally revolved all … Continue reading “Find out Singapore for the Countrywide Museum”. Gradual Cookers – The best Dimensions Does Matter. April 2, 2018. March 31, 2018. March 31, 2018. March 28, 2018. March 27, 2018. Considering...

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lonely

Brenda lee kar yan. 最怕突然 听到你的消息 最怕此生 已经决定自己过. C'mon 一起唱 now 我们做得到 now 这个世界就是). Forever love forever love. Brenda lee kar yan. I'll always always love you so. I'll always always love you so. I'll always always love you. Brenda lee kar yan. Nothing can wirte . just can like tat . Haiz you're never gonna alone . because. Im always here for you . Brenda lee kar yan. Today is first day opening school ,. So need wake up earlier . When im wake up , take my phone. And read the message . Nothing can say d. Haiz n...

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l e e k a s e m

2014 All Rigts Reserved by leekasem.com.

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Colour Work 1987-93

1220mm x 1830mm, c-type photograph. Originally from a series of images (cover and section dividers) for the book Art Critics by Lau Kin Wei. Published by Tin Yuen, 1992. Subscribe to: Posts (Atom). Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative.

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女那禾多記

0 《女那禾多記》本事. 12298;女那禾多记》共39篇文字原是於2004-2005年间发表在MILK,一份在香港出版的周刊。04年夏天,由於《女那禾多》复刊号出版,我们安排在香港做了一个展览。是這個引子,MILK向我們約稿,每周给予两页的篇幅去发表关於《女那禾多》的种种。在这个基础,《女那禾多记》谈的都是環繞著《女那禾多》的,有过去也有现在。阅读MILK很容易会想起90年代一份日本杂志 POPPIE,因为它们都是以购物杂货为中心的出版物,另一方面它也是紧扣著流行文化思想行为的中枢。这些有著庞大流通量的管道,假若我们不硬以纯净的量度器去二分,它们都是很要好的交换场。我每周写的《女那禾多记》都是以图象为主&#65292...杜可風發表在女那禾多(1996年3月)的微型電影在今天肯定已成了絕響,我手上這個版本的女那禾多在坊間流傳的可能少過5份,也可能是唯一的一份。在版本學上它絕對是屬於珍品。其實大部份女那禾多classic版獨立本(16頁)都是絕佳的收藏品,他日你祇可能在ebay等地方遇到。自1996年開始,...上圖 邢丹文, 下圖 榮榮). 近日攝影藝術的潮流流行水,發表在女那禾多復刊號...

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Lee Ka-sing - facebook (this is not a book review)

Facebook (this is not a book review). A photo essay from Lee Ka-sing. Images of face from VPUBLIC. Facebook (this is not a book review). Was first released in July 2010. A work in progress, with new images added to it frequently. The project is also open to public participation. You can submit your books to be possibly included. Send books to: 50 Gladstone Avenue Toronto, Ontario M6J3K6 CANADA (labeled as FB project). 最近開始了一個作品 facebook (this is not a book review). 65292;但怎的也沒有落實一個貼切的中文題目。使用在社群網絡的...

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Foodscape

At Tan Dao Coffee Shop, a Discussion About the Relations between Sexes. Inkjet on canvas, 30x40 inch. Poem by Leung Ping-kwan. English translation by Martha Cheung). Portrait of a Chopboard. Inkjet on canvas, 30x40 inch. Poem by Leung Ping-kwan. English translation by Martha Cheung). Pun Choi on New Year's Eve. Inkjet on canvas, 30x40 inch. Poem by Leung Ping-kwan. English translation by Martha Cheung). Mum says, 'Come home for dinner tonight.". Inkjet on canvas, 30x40 inch. Poem by Leung Ping-kwan.

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李家昇圖本雜事俳句 PICTURE HAIKU

Click here to view more works by Lee Ka-sing. 從MOCCA旁邊一間小屋的窗子想開去(MOCCA於今年八月,會自Queen West現址遷出). Subscribe to: Posts (Atom). 倒序讀陳黎跨世紀詩選(1974-2014)。在反清復明,或失明(正如你說)之間。唐詩不一定是甜;讀宋詞烹餸,美酒佳肴華麗,也總有人喜歡清菜淡飯。有個小秘密予你:我們喜歡的人包括你;滿腦子弧綫的Henrik Drescher;寫攝影的飯澤耕太郎(也熱衷磨菰及寫詩);講巴哈的Robert Greenberg都是出生於1954(其實我也是同年). 從MOCCA旁邊一間小屋的窗子想開去(MOCCA於今年八月,會自Queen West現址遷出). 在讀兩冊Bob Black從台北帶回來的邱剛健遺作詩集《亡妻,Z,和雜念》《再淫蕩出發的時候》。嘗試找出遠年剪存邱發表在《70雙週刊》的詩件,不獲. 圖書館借來武田雅哉《新千年圖像晚會》,早年買過他的《飛翔吧! 大清帝國》及《桃源鄕的機械學》。真像一名不結領帶愛騎單車的漢學家. 在圖書館看到《洛夫詩全集&#1229...