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Rips on Art

Wednesday, December 2, 2009. I wrote up this review for a short exploratory paper about an LA art event for Prof. Lyford's Contemporary Art class and I thought I would share it here also. I recently attended Redcat’s exhibition Everyday Miracles. I was particularly intrigued by a photographic work by Hamra Abbas entitled Paradise Bath. Another provoking piece is Shilpa Gupta’s Untitled Don’t See Don’t Hear Don’t Speak. Is a successful show in that it showcases provocative, avant-garde work by artists who...

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Rips on Art | ripsonart.blogspot.com Reviews
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Wednesday, December 2, 2009. I wrote up this review for a short exploratory paper about an LA art event for Prof. Lyford's Contemporary Art class and I thought I would share it here also. I recently attended Redcat’s exhibition Everyday Miracles. I was particularly intrigued by a photographic work by Hamra Abbas entitled Paradise Bath. Another provoking piece is Shilpa Gupta’s Untitled Don’t See Don’t Hear Don’t Speak. Is a successful show in that it showcases provocative, avant-garde work by artists who...
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Rips on Art | ripsonart.blogspot.com Reviews

https://ripsonart.blogspot.com

Wednesday, December 2, 2009. I wrote up this review for a short exploratory paper about an LA art event for Prof. Lyford's Contemporary Art class and I thought I would share it here also. I recently attended Redcat’s exhibition Everyday Miracles. I was particularly intrigued by a photographic work by Hamra Abbas entitled Paradise Bath. Another provoking piece is Shilpa Gupta’s Untitled Don’t See Don’t Hear Don’t Speak. Is a successful show in that it showcases provocative, avant-garde work by artists who...

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1

Rips on Art: What about Philip Smith?

http://ripsonart.blogspot.com/2009/10/what-about-philip-smith.html

Saturday, October 10, 2009. What about Philip Smith? Just this year the Metropolitan Museum of Art exhibited “The Pictures Generation, 1974-1984” which was curated by Douglas Eklund. The large show, which featured works by over 30 artists influenced by Pictures techniques, also omitted Philip Smith. Explaining his decision for excluding Smith’s work Eklund disclosed in an interview with Jess Wilcox in Art in America online edition. To Art in America which explained his concern over being written out of P...

2

Rips on Art: I've Found Philip Smith!

http://ripsonart.blogspot.com/2009/11/ive-found-philip-smith.html

Sunday, November 8, 2009. I've Found Philip Smith! Philip Smith was one of the artists involved with the Pictures. Exhibit of 1977. His work was omitted from Douglas Crimp’s critical essay about the show for October. 1979) and thirty years later completely absent from the Metropolitan Museum of Art’s retrospective exhibition The Pictures Generation, 1974-1984. In a previous post I questioned Smith’s absence from Pictures. Magazine. Last year he came out with a memoir entitled Walking Through Walls. Novem...

3

Rips on Art: November 2009

http://ripsonart.blogspot.com/2009_11_01_archive.html

Friday, November 20, 2009. Big Litter" seems to be a collection of photographs of found discarded objects which range from little plastic baggies to feathers and single earrings. The presentation is deadpan, Davis is almost scientifically documenting and cataloging these dirty objects. Wednesday, November 11, 2009. New Topographics Symposium at LACMA - Review #3. This past weekend I attended the symposium “What’s at Stake? And still resonate today. At LACMA, CLUI added a high-definition video of a flight...

4

Rips on Art: September 2009

http://ripsonart.blogspot.com/2009_09_01_archive.html

Saturday, September 26, 2009. Resurgence of Painting in the 1970s and '80s. Proponents of the return of figure painting in the 1970s and 80s felt they were, like Lucian Freud, painting like the Old Masters, or, like Georg Baselitz, taking the figure to places it hadn't previously been. Minimalists and conceptualist artists generally thought this resurgence of easel painting was bourgeois and reflected the conservative culture of the late 70s and 80s. Sunday, September 13, 2009. And although the site has ...

5

Rips on Art: Long Beach Exposed -Review #2

http://ripsonart.blogspot.com/2009/10/long-beach-exposed.html

Monday, October 19, 2009. Long Beach Exposed -Review #2. When entering the voluminous open space of the first floor one is immediately struck by the monumental yet airy site-specific installation by the Ball-Nogues Studio. Does it have to be made with drywall and be there forever? We’re trying to challenge those ideas.” Stretching the boundaries of architectural practice, Suspension is awe-inspiring in its translucence, ephemerality and complexity. By itself, the work does not clearly articulate this pos...

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A Searing Critique.: September 2009

http://searingcritique.blogspot.com/2009_09_01_archive.html

A poorly punned blog reflecting on LA's modern art scene. Tuesday, September 29, 2009. I found this while searching YouTube and the themes highlighted in the clip were fairly discouraging. This is a little trailer for the movie Who Does She Think She Is? Within seconds into the clip, the viewer is compelled to question the true impact of the modern feminist art we have discussed in class. Why is it that random, seemingly educated, male New Yorkers can't think of any female artists? While the individual s...

laartvernacular.blogspot.com laartvernacular.blogspot.com

Los Angeles Art Vernacular: Rebecca Campbell: Nostalgic Dreaming

http://laartvernacular.blogspot.com/2009/10/rebecca-campbell-nostalgic-dreaming.html

Los Angeles Art Vernacular. Monday, October 12, 2009. Rebecca Campbell: Nostalgic Dreaming. Rebecca Campbell, Daddy Daughter Date, 2009. During our class discussion of contemporary painters last week, I was reminded of a Los Angeles-based Artist, Rebecca Campbell. Whose work I saw last February at LA Louver Gallery. Rebecca Campbell, Do You Want to Hurt Me? Rebecca Campbell, Satellite, 2008. Rebecca Campbell, Rainbow After Dark, 2009. Rebecca Campbell, Gretel, 2009. Rebecca Campbell, Snow Queen, 2008.

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Los Angeles Art Vernacular: The Los Angeles Municipal Art Gallery: National Print Exhibition

http://laartvernacular.blogspot.com/2009/11/los-angeles-municipal-art-gallery.html

Los Angeles Art Vernacular. Wednesday, November 18, 2009. The Los Angeles Municipal Art Gallery: National Print Exhibition. Wandering through Barnsdale Park in Los Feliz this past weekend, I stumbled upon an enormous printmaking exhibition at the Los Angeles Municipal Art Gallery. Although different stylistically, I felt that these two artists' works communicated with one another through addressing similar themes of identity and character. March 3, 2011 at 8:35 AM. JenClare B. Gawaran. Http:/ clart1975&#...

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Los Angeles Art Vernacular: Exhibition Review III: Monster Drawing Rally 2009, The Outpost for Contemporary Art

http://laartvernacular.blogspot.com/2009/11/exhibition-review-iii-monster-drawing.html

Los Angeles Art Vernacular. Wednesday, November 11, 2009. Exhibition Review III: Monster Drawing Rally 2009, The Outpost for Contemporary Art. Walking in between clusters of slightly intoxicated guests to the circle of tables where the artists produced their works under the curious eyes of spectators, I was quickly drawn to the paintings of a young artist, Jessica Minckley. Jessica Minckley, Without Representation. Max Ernst, Untitled. Brian Bress, D.B. Sarajo Frieden, Landscape I.

strictlyartness.blogspot.com strictlyartness.blogspot.com

Strictly ARTness in: November 2009

http://strictlyartness.blogspot.com/2009_11_01_archive.html

Tuesday, November 17, 2009. The price of "Warhol". It appears that the commodification of art did not die with the 1980's, instead it simply was the start of a whole new phenomenon of commercial takeover of art. As written in the recent ArtNews cover piece "Warhol Inc.". Http:/ www.artnews.com/issues/article.asp? Thursday, November 12, 2009. WK Interact -"How To Blow Yourself Up" Review III. WK interact and "police booking station". One dominant installation that could define the whole show is. WK Intera...

strictlyartness.blogspot.com strictlyartness.blogspot.com

Strictly ARTness in: Glorious Excess - Review # 1

http://strictlyartness.blogspot.com/2009/10/blog-post.html

Thursday, October 1, 2009. Glorious Excess - Review # 1. In the next few days the Japanese American National Museum will close a show that defies the typical associations with the traditional Japanese artistic culture; it is neither humble nor respectful. In comparison to the museum’s other current exhibit that showcases traditional Kokeshi dolls and their contemporary reinterpretations, Mike Shinoda’s “Exhibition Excess (Dies)” show does not hesitate to allure and play with t...8221; deface every poster.

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Strictly ARTness in: $12 a can? The price of "Warhol"

http://strictlyartness.blogspot.com/2009/11/blog-post.html

Tuesday, November 17, 2009. The price of "Warhol". It appears that the commodification of art did not die with the 1980's, instead it simply was the start of a whole new phenomenon of commercial takeover of art. As written in the recent ArtNews cover piece "Warhol Inc.". Http:/ www.artnews.com/issues/article.asp? Subscribe to: Post Comments (Atom). Los Angeles Art Vernacular. Views of Los Angeles. Merda di Los Angeles. The price of Warhol. WK Interact -How To Blow Yourself Up Review III.

laartvernacular.blogspot.com laartvernacular.blogspot.com

Los Angeles Art Vernacular: Exhibition Review II: Pasadena Museum of California Art’s Wayne Thiebaud: 70 Years of Painting, October 4, 2009 – January 31, 2010

http://laartvernacular.blogspot.com/2009/10/exhibition-review-ii-pasadena-museum-of.html

Los Angeles Art Vernacular. Wednesday, October 21, 2009. Exhibition Review II: Pasadena Museum of California Art’s Wayne Thiebaud: 70 Years of Painting, October 4, 2009 – January 31, 2010. Wayne Thiebaud, Cake Window, 1976. The Pasadena Museum of California Art. PMCA) is currently home to over one hundred and twenty drawings, etchings, prints, and paintings from the talented hand of Wayne Thiebaud, the now 88-year-old artist. Arriving at the October 9. Campbell’s Soup Can. San Francisco West Side Ridge.

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Rips on Art

Wednesday, December 2, 2009. I wrote up this review for a short exploratory paper about an LA art event for Prof. Lyford's Contemporary Art class and I thought I would share it here also. I recently attended Redcat’s exhibition Everyday Miracles. I was particularly intrigued by a photographic work by Hamra Abbas entitled Paradise Bath. Another provoking piece is Shilpa Gupta’s Untitled Don’t See Don’t Hear Don’t Speak. Is a successful show in that it showcases provocative, avant-garde work by artists who...

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