ripsonart.blogspot.com
Rips on Art: My Barbarian at MOCA's 30th Birthday Party - Review #4
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Tuesday, December 1, 2009. My Barbarian at MOCA's 30th Birthday Party - Review #4. On Saturday, November 21 The Museum of Contemporary Art of Los Angeles had its 30th birthday party/members opening party for it’s show Collection: MOCA’s First Thirty Years. To achieve this effect My Barbarian interviewed museum staff, from curators to accountants, and created performance, music and video which directly addressed the institution of the museum. Focusing on issues of transparency, the group used the muse...
ripsonart.blogspot.com
Rips on Art: Long Beach Exposed -Review #2
http://ripsonart.blogspot.com/2009/10/long-beach-exposed.html
Monday, October 19, 2009. Long Beach Exposed -Review #2. When entering the voluminous open space of the first floor one is immediately struck by the monumental yet airy site-specific installation by the Ball-Nogues Studio. Does it have to be made with drywall and be there forever? We’re trying to challenge those ideas.” Stretching the boundaries of architectural practice, Suspension is awe-inspiring in its translucence, ephemerality and complexity. By itself, the work does not clearly articulate this pos...
ripsonart.blogspot.com
Rips on Art: November 2009
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Friday, November 20, 2009. Big Litter" seems to be a collection of photographs of found discarded objects which range from little plastic baggies to feathers and single earrings. The presentation is deadpan, Davis is almost scientifically documenting and cataloging these dirty objects. Wednesday, November 11, 2009. New Topographics Symposium at LACMA - Review #3. This past weekend I attended the symposium “What’s at Stake? And still resonate today. At LACMA, CLUI added a high-definition video of a flight...
ripsonart.blogspot.com
Rips on Art: What about Philip Smith?
http://ripsonart.blogspot.com/2009/10/what-about-philip-smith.html
Saturday, October 10, 2009. What about Philip Smith? Just this year the Metropolitan Museum of Art exhibited “The Pictures Generation, 1974-1984” which was curated by Douglas Eklund. The large show, which featured works by over 30 artists influenced by Pictures techniques, also omitted Philip Smith. Explaining his decision for excluding Smith’s work Eklund disclosed in an interview with Jess Wilcox in Art in America online edition. To Art in America which explained his concern over being written out of P...
ripsonart.blogspot.com
Rips on Art: I've Found Philip Smith!
http://ripsonart.blogspot.com/2009/11/ive-found-philip-smith.html
Sunday, November 8, 2009. I've Found Philip Smith! Philip Smith was one of the artists involved with the Pictures. Exhibit of 1977. His work was omitted from Douglas Crimp’s critical essay about the show for October. 1979) and thirty years later completely absent from the Metropolitan Museum of Art’s retrospective exhibition The Pictures Generation, 1974-1984. In a previous post I questioned Smith’s absence from Pictures. Magazine. Last year he came out with a memoir entitled Walking Through Walls. Novem...
searingcritique.blogspot.com
A Searing Critique.: September 2009
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A poorly punned blog reflecting on LA's modern art scene. Tuesday, September 29, 2009. I found this while searching YouTube and the themes highlighted in the clip were fairly discouraging. This is a little trailer for the movie Who Does She Think She Is? Within seconds into the clip, the viewer is compelled to question the true impact of the modern feminist art we have discussed in class. Why is it that random, seemingly educated, male New Yorkers can't think of any female artists? While the individual s...
laartvernacular.blogspot.com
Los Angeles Art Vernacular: The Los Angeles Municipal Art Gallery: National Print Exhibition
http://laartvernacular.blogspot.com/2009/11/los-angeles-municipal-art-gallery.html
Los Angeles Art Vernacular. Wednesday, November 18, 2009. The Los Angeles Municipal Art Gallery: National Print Exhibition. Wandering through Barnsdale Park in Los Feliz this past weekend, I stumbled upon an enormous printmaking exhibition at the Los Angeles Municipal Art Gallery. Although different stylistically, I felt that these two artists' works communicated with one another through addressing similar themes of identity and character. March 3, 2011 at 8:35 AM. JenClare B. Gawaran. Http:/ clart1975&#...
laartvernacular.blogspot.com
Los Angeles Art Vernacular: Exhibition Review III: Monster Drawing Rally 2009, The Outpost for Contemporary Art
http://laartvernacular.blogspot.com/2009/11/exhibition-review-iii-monster-drawing.html
Los Angeles Art Vernacular. Wednesday, November 11, 2009. Exhibition Review III: Monster Drawing Rally 2009, The Outpost for Contemporary Art. Walking in between clusters of slightly intoxicated guests to the circle of tables where the artists produced their works under the curious eyes of spectators, I was quickly drawn to the paintings of a young artist, Jessica Minckley. Jessica Minckley, Without Representation. Max Ernst, Untitled. Brian Bress, D.B. Sarajo Frieden, Landscape I.
laartvernacular.blogspot.com
Los Angeles Art Vernacular: Rebecca Campbell: Nostalgic Dreaming
http://laartvernacular.blogspot.com/2009/10/rebecca-campbell-nostalgic-dreaming.html
Los Angeles Art Vernacular. Monday, October 12, 2009. Rebecca Campbell: Nostalgic Dreaming. Rebecca Campbell, Daddy Daughter Date, 2009. During our class discussion of contemporary painters last week, I was reminded of a Los Angeles-based Artist, Rebecca Campbell. Whose work I saw last February at LA Louver Gallery. Rebecca Campbell, Do You Want to Hurt Me? Rebecca Campbell, Satellite, 2008. Rebecca Campbell, Rainbow After Dark, 2009. Rebecca Campbell, Gretel, 2009. Rebecca Campbell, Snow Queen, 2008.
laartvernacular.blogspot.com
Los Angeles Art Vernacular: Exhibition Review II: Pasadena Museum of California Art’s Wayne Thiebaud: 70 Years of Painting, October 4, 2009 – January 31, 2010
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Los Angeles Art Vernacular. Wednesday, October 21, 2009. Exhibition Review II: Pasadena Museum of California Art’s Wayne Thiebaud: 70 Years of Painting, October 4, 2009 – January 31, 2010. Wayne Thiebaud, Cake Window, 1976. The Pasadena Museum of California Art. PMCA) is currently home to over one hundred and twenty drawings, etchings, prints, and paintings from the talented hand of Wayne Thiebaud, the now 88-year-old artist. Arriving at the October 9. Campbell’s Soup Can. San Francisco West Side Ridge.
