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A Searing Critique.

A poorly punned blog reflecting on LA's modern art scene. Wednesday, November 25, 2009. Urs Fischer: The Surreal Becomes Personal. Urs Fischer: The Surreal Becomes Personal. Wednesday, November 11, 2009. The Ambiguous Identity: Danica Phelps at the Kathryn Brennan Gallery. The visitor does not know. Just as Sharon Mizota points out, the gallery guest is aware of “the passage of time.” Little else is addressed. Wednesday, October 21, 2009. A Superficial Critique: Musings on the Façade of the New Museum.

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A Searing Critique. | searingcritique.blogspot.com Reviews
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A poorly punned blog reflecting on LA's modern art scene. Wednesday, November 25, 2009. Urs Fischer: The Surreal Becomes Personal. Urs Fischer: The Surreal Becomes Personal. Wednesday, November 11, 2009. The Ambiguous Identity: Danica Phelps at the Kathryn Brennan Gallery. The visitor does not know. Just as Sharon Mizota points out, the gallery guest is aware of “the passage of time.” Little else is addressed. Wednesday, October 21, 2009. A Superficial Critique: Musings on the Façade of the New Museum.
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6 failure and frustration
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a searing critique,posted by,julia,41 comments,no comments,failure and frustration,2 comments,1 comment,so what happened,about me,classmates and critics,strictly artness,5 years ago,contemporary art,rips on art,everyday miracles,lart mp,claire art,kmla
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A Searing Critique. | searingcritique.blogspot.com Reviews

https://searingcritique.blogspot.com

A poorly punned blog reflecting on LA's modern art scene. Wednesday, November 25, 2009. Urs Fischer: The Surreal Becomes Personal. Urs Fischer: The Surreal Becomes Personal. Wednesday, November 11, 2009. The Ambiguous Identity: Danica Phelps at the Kathryn Brennan Gallery. The visitor does not know. Just as Sharon Mizota points out, the gallery guest is aware of “the passage of time.” Little else is addressed. Wednesday, October 21, 2009. A Superficial Critique: Musings on the Façade of the New Museum.

INTERNAL PAGES

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1

A Searing Critique.: Urs Fischer: The Surreal Becomes Personal.

http://www.searingcritique.blogspot.com/2009/11/urs-fischer-personal-becomes-surreal.html

A poorly punned blog reflecting on LA's modern art scene. Wednesday, November 25, 2009. Urs Fischer: The Surreal Becomes Personal. Urs Fischer: The Surreal Becomes Personal. February 4, 2010 at 7:29 AM. 你怎麼能經過一片海,而忘記它的藍? . March 1, 2010 at 10:55 PM. March 19, 2010 at 10:40 PM. May the blessing be with you. . March 30, 2010 at 8:01 AM. April 8, 2010 at 7:24 PM. 美麗的事物是永恆的快樂,它的可愛日有增加,不會消逝而去 . April 18, 2010 at 1:36 AM. Nice to know you . April 25, 2010 at 5:54 PM. 變天了 注意身體,別感冒囉! . May 1, 2010 at 3:46 AM.

2

A Searing Critique.: Chinatown Galleries: Solway Jones

http://www.searingcritique.blogspot.com/2009/09/chinatown-galleries-solway-jones.html

A poorly punned blog reflecting on LA's modern art scene. Sunday, September 20, 2009. Chinatown Galleries: Solway Jones. Hadley Holliday and The Progressive Pleasures of Contemporary Female Painting. Subscribe to: Post Comments (Atom). New York, New York. View my complete profile. To the Renaissance Fair. Merda di Los Angeles. The Museum and Kitsch: Tim Burton at MoMA. Los Angeles Art Vernacular. More Salt Lake City Musings: Smithson's Spiral Jetty and Concerns for Conservation. Views of Los Angeles.

3

A Searing Critique.: October 2009

http://www.searingcritique.blogspot.com/2009_10_01_archive.html

A poorly punned blog reflecting on LA's modern art scene. Wednesday, October 21, 2009. A Superficial Critique: Musings on the Façade of the New Museum. Isn't this an elitist interjection of ideas that facilitate unfair disparities? What are your thoughts? Has anyone been to the New Museum? Chinatown Galleries: Sam Lee. Pipo Nguyen-Duy and The Parody of the American Gaze. Subscribe to: Posts (Atom). New York, New York. View my complete profile. To the Renaissance Fair. Merda di Los Angeles.

4

A Searing Critique.: November 2009

http://www.searingcritique.blogspot.com/2009_11_01_archive.html

A poorly punned blog reflecting on LA's modern art scene. Wednesday, November 25, 2009. Urs Fischer: The Surreal Becomes Personal. Urs Fischer: The Surreal Becomes Personal. Wednesday, November 11, 2009. The Ambiguous Identity: Danica Phelps at the Kathryn Brennan Gallery. The visitor does not know. Just as Sharon Mizota points out, the gallery guest is aware of “the passage of time.” Little else is addressed. Subscribe to: Posts (Atom). New York, New York. View my complete profile. Merda di Los Angeles.

5

A Searing Critique.: A Superficial Critique: Musings on the Façade of the New Museum

http://www.searingcritique.blogspot.com/2009/10/superficial-critique-musings-on-facade.html

A poorly punned blog reflecting on LA's modern art scene. Wednesday, October 21, 2009. A Superficial Critique: Musings on the Façade of the New Museum. Isn't this an elitist interjection of ideas that facilitate unfair disparities? What are your thoughts? Has anyone been to the New Museum? October 31, 2009 at 12:59 PM. Julia, I am so impressed! The dust of life. January 20, 2010 at 11:46 AM. Do you mind if I use your review of my show? I will credit your blog since I dont know who you are. Review #4: LA ...

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Rips on Art: My Barbarian at MOCA's 30th Birthday Party - Review #4

http://ripsonart.blogspot.com/2009/12/my-barbarian-at-mocas-30th-birthday.html

Tuesday, December 1, 2009. My Barbarian at MOCA's 30th Birthday Party - Review #4. On Saturday, November 21 The Museum of Contemporary Art of Los Angeles had its 30th birthday party/members opening party for it’s show Collection: MOCA’s First Thirty Years. To achieve this effect My Barbarian interviewed museum staff, from curators to accountants, and created performance, music and video which directly addressed the institution of the museum. Focusing on issues of transparency, the group used the muse...

ripsonart.blogspot.com ripsonart.blogspot.com

Rips on Art: Long Beach Exposed -Review #2

http://ripsonart.blogspot.com/2009/10/long-beach-exposed.html

Monday, October 19, 2009. Long Beach Exposed -Review #2. When entering the voluminous open space of the first floor one is immediately struck by the monumental yet airy site-specific installation by the Ball-Nogues Studio. Does it have to be made with drywall and be there forever? We’re trying to challenge those ideas.” Stretching the boundaries of architectural practice, Suspension is awe-inspiring in its translucence, ephemerality and complexity. By itself, the work does not clearly articulate this pos...

ripsonart.blogspot.com ripsonart.blogspot.com

Rips on Art: November 2009

http://ripsonart.blogspot.com/2009_11_01_archive.html

Friday, November 20, 2009. Big Litter" seems to be a collection of photographs of found discarded objects which range from little plastic baggies to feathers and single earrings. The presentation is deadpan, Davis is almost scientifically documenting and cataloging these dirty objects. Wednesday, November 11, 2009. New Topographics Symposium at LACMA - Review #3. This past weekend I attended the symposium “What’s at Stake? And still resonate today. At LACMA, CLUI added a high-definition video of a flight...

ripsonart.blogspot.com ripsonart.blogspot.com

Rips on Art: What about Philip Smith?

http://ripsonart.blogspot.com/2009/10/what-about-philip-smith.html

Saturday, October 10, 2009. What about Philip Smith? Just this year the Metropolitan Museum of Art exhibited “The Pictures Generation, 1974-1984” which was curated by Douglas Eklund. The large show, which featured works by over 30 artists influenced by Pictures techniques, also omitted Philip Smith. Explaining his decision for excluding Smith’s work Eklund disclosed in an interview with Jess Wilcox in Art in America online edition. To Art in America which explained his concern over being written out of P...

ripsonart.blogspot.com ripsonart.blogspot.com

Rips on Art: I've Found Philip Smith!

http://ripsonart.blogspot.com/2009/11/ive-found-philip-smith.html

Sunday, November 8, 2009. I've Found Philip Smith! Philip Smith was one of the artists involved with the Pictures. Exhibit of 1977. His work was omitted from Douglas Crimp’s critical essay about the show for October. 1979) and thirty years later completely absent from the Metropolitan Museum of Art’s retrospective exhibition The Pictures Generation, 1974-1984. In a previous post I questioned Smith’s absence from Pictures. Magazine. Last year he came out with a memoir entitled Walking Through Walls. Novem...

strictlyartness.blogspot.com strictlyartness.blogspot.com

Strictly ARTness in: November 2009

http://strictlyartness.blogspot.com/2009_11_01_archive.html

Tuesday, November 17, 2009. The price of "Warhol". It appears that the commodification of art did not die with the 1980's, instead it simply was the start of a whole new phenomenon of commercial takeover of art. As written in the recent ArtNews cover piece "Warhol Inc.". Http:/ www.artnews.com/issues/article.asp? Thursday, November 12, 2009. WK Interact -"How To Blow Yourself Up" Review III. WK interact and "police booking station". One dominant installation that could define the whole show is. WK Intera...

strictlyartness.blogspot.com strictlyartness.blogspot.com

Strictly ARTness in: Glorious Excess - Review # 1

http://strictlyartness.blogspot.com/2009/10/blog-post.html

Thursday, October 1, 2009. Glorious Excess - Review # 1. In the next few days the Japanese American National Museum will close a show that defies the typical associations with the traditional Japanese artistic culture; it is neither humble nor respectful. In comparison to the museum’s other current exhibit that showcases traditional Kokeshi dolls and their contemporary reinterpretations, Mike Shinoda’s “Exhibition Excess (Dies)” show does not hesitate to allure and play with t...8221; deface every poster.

strictlyartness.blogspot.com strictlyartness.blogspot.com

Strictly ARTness in: $12 a can? The price of "Warhol"

http://strictlyartness.blogspot.com/2009/11/blog-post.html

Tuesday, November 17, 2009. The price of "Warhol". It appears that the commodification of art did not die with the 1980's, instead it simply was the start of a whole new phenomenon of commercial takeover of art. As written in the recent ArtNews cover piece "Warhol Inc.". Http:/ www.artnews.com/issues/article.asp? Subscribe to: Post Comments (Atom). Los Angeles Art Vernacular. Views of Los Angeles. Merda di Los Angeles. The price of Warhol. WK Interact -How To Blow Yourself Up Review III.

con-tempo-art.blogspot.com con-tempo-art.blogspot.com

L.A. Art Con Tempo: Twenty Eight: Claremont Graduate University Exhibition

http://con-tempo-art.blogspot.com/2009/10/twenty-eight-claremont-graduate.html

LA Art Con Tempo. Thursday, October 1, 2009. Twenty Eight: Claremont Graduate University Exhibition. 8220;Twenty Eight” featured twenty eight second year MFA students’ work ranging from painting, installations, performance, video and sculptural art. There was a huge diversity in the types of subject matter and approaches that each artist focused on, creating an exciting and intriguing collective exhibition. Artist, Justin Bower, painted Blue Boy. Artists wanted to free themselves from the overtly politic...

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A Searing Critique.

A poorly punned blog reflecting on LA's modern art scene. Wednesday, November 25, 2009. Urs Fischer: The Surreal Becomes Personal. Urs Fischer: The Surreal Becomes Personal. Wednesday, November 11, 2009. The Ambiguous Identity: Danica Phelps at the Kathryn Brennan Gallery. The visitor does not know. Just as Sharon Mizota points out, the gallery guest is aware of “the passage of time.” Little else is addressed. Wednesday, October 21, 2009. A Superficial Critique: Musings on the Façade of the New Museum.

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