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Views of Los Angeles

Views of Los Angeles. Thursday, November 26, 2009. Exhibition Review #4: Chuck Close. First, a confession: the exhibition about to be chronicled is not in. And therefore technically does not fit within the scope of this blog. However, while at home in. For Thanksgiving, I had the opportunity to view “Chuck Close Prints:. Process and Collaboration ,”. An exhibition of Chuck Close prints currently showing at the San Jose Museum of Modern Art. Featuring more 125. Arning, Close t. Over the last 40 years, Clo...

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Views of Los Angeles | jacobviewsla.blogspot.com Reviews
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Views of Los Angeles. Thursday, November 26, 2009. Exhibition Review #4: Chuck Close. First, a confession: the exhibition about to be chronicled is not in. And therefore technically does not fit within the scope of this blog. However, while at home in. For Thanksgiving, I had the opportunity to view “Chuck Close Prints:. Process and Collaboration ,”. An exhibition of Chuck Close prints currently showing at the San Jose Museum of Modern Art. Featuring more 125. Arning, Close t. Over the last 40 years, Clo...
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Views of Los Angeles | jacobviewsla.blogspot.com Reviews

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Views of Los Angeles. Thursday, November 26, 2009. Exhibition Review #4: Chuck Close. First, a confession: the exhibition about to be chronicled is not in. And therefore technically does not fit within the scope of this blog. However, while at home in. For Thanksgiving, I had the opportunity to view “Chuck Close Prints:. Process and Collaboration ,”. An exhibition of Chuck Close prints currently showing at the San Jose Museum of Modern Art. Featuring more 125. Arning, Close t. Over the last 40 years, Clo...

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Views of Los Angeles: Exhibition Review #2: Calligraffiti

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Views of Los Angeles. Friday, October 16, 2009. Exhibition Review #2: Calligraffiti. 2003 "Chaz" Bojorquez, Keo, Mear, Toons, Zender, and Xu Bing. Calligraffiti: Writing in Contemporary Chinese and Latino Art. D “low art” that typically accompany these artistic mediuma. More alike than different, both calligraphy and graffiti “address issues of power, culture, and universality.”. Pictured above), X. U’s Chinese characters flow so effortlessly into the graffiti “script” that it is often ...Institutional s...

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Views of Los Angeles: Exhibition Review #1: Hadley Holliday

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Views of Los Angeles. Wednesday, September 30, 2009. Exhibition Review #1: Hadley Holliday. Y Holliday’s use of stripes, geometric forms and colorful composition. In some paintings, such as Fool's Paradise. Moving beyond their formal beauty, however, Holliday’s works raise some intriguing questions on the direction of painting in the twenty-first century. As Myers alludes to in her review, one cannot view Holliday’s work without wondering “Why a return to stripes in 2009? Buchloh, in contrast, argues tha...

3

Views of Los Angeles: October 2009

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Views of Los Angeles. Friday, October 30, 2009. Between Koons and Merz lies? During our last two classes, we've looked at the often inscrutible work of postmodern German artist Gerhard Merz. Seeking to find out more about him, I googled his name, and discovered. James D. Campbell's catalog review. Of Merz's exhibition in Philadelphia's Lawrence Olivier gallery during the late 1980's. What was it in the pellucid blue in Mondo Cane that flashed before my eyes the blue of Giotto's Arena Chapel frescoes?

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Views of Los Angeles: Musings on Kitsch

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Views of Los Angeles. Friday, October 9, 2009. In class this week, we spent a great deal of time discussing the works of Cindy Sherman and Jeff Koons as exemplars (within their respective mediums) of 1980’s postmodern art. As per other AHVA classes I’ve taken at Oxy, our discussion of. Centered on the ways in which her photographs explore and critique of gender roles, female performativity, and the male gaze. Much like the critics of October. We came to a general consensus of. In May 2005. A review o...

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Views of Los Angeles: September 2009

http://jacobviewsla.blogspot.com/2009_09_01_archive.html

Views of Los Angeles. Wednesday, September 30, 2009. Exhibition Review #1: Hadley Holliday. Y Holliday’s use of stripes, geometric forms and colorful composition. In some paintings, such as Fool's Paradise. Moving beyond their formal beauty, however, Holliday’s works raise some intriguing questions on the direction of painting in the twenty-first century. As Myers alludes to in her review, one cannot view Holliday’s work without wondering “Why a return to stripes in 2009? Buchloh, in contrast, argues tha...

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Rips on Art: My Barbarian at MOCA's 30th Birthday Party - Review #4

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Tuesday, December 1, 2009. My Barbarian at MOCA's 30th Birthday Party - Review #4. On Saturday, November 21 The Museum of Contemporary Art of Los Angeles had its 30th birthday party/members opening party for it’s show Collection: MOCA’s First Thirty Years. To achieve this effect My Barbarian interviewed museum staff, from curators to accountants, and created performance, music and video which directly addressed the institution of the museum. Focusing on issues of transparency, the group used the muse...

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Rips on Art: Long Beach Exposed -Review #2

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Monday, October 19, 2009. Long Beach Exposed -Review #2. When entering the voluminous open space of the first floor one is immediately struck by the monumental yet airy site-specific installation by the Ball-Nogues Studio. Does it have to be made with drywall and be there forever? We’re trying to challenge those ideas.” Stretching the boundaries of architectural practice, Suspension is awe-inspiring in its translucence, ephemerality and complexity. By itself, the work does not clearly articulate this pos...

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Rips on Art: November 2009

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Friday, November 20, 2009. Big Litter" seems to be a collection of photographs of found discarded objects which range from little plastic baggies to feathers and single earrings. The presentation is deadpan, Davis is almost scientifically documenting and cataloging these dirty objects. Wednesday, November 11, 2009. New Topographics Symposium at LACMA - Review #3. This past weekend I attended the symposium “What’s at Stake? And still resonate today. At LACMA, CLUI added a high-definition video of a flight...

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Rips on Art: What about Philip Smith?

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Saturday, October 10, 2009. What about Philip Smith? Just this year the Metropolitan Museum of Art exhibited “The Pictures Generation, 1974-1984” which was curated by Douglas Eklund. The large show, which featured works by over 30 artists influenced by Pictures techniques, also omitted Philip Smith. Explaining his decision for excluding Smith’s work Eklund disclosed in an interview with Jess Wilcox in Art in America online edition. To Art in America which explained his concern over being written out of P...

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Rips on Art: I've Found Philip Smith!

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Sunday, November 8, 2009. I've Found Philip Smith! Philip Smith was one of the artists involved with the Pictures. Exhibit of 1977. His work was omitted from Douglas Crimp’s critical essay about the show for October. 1979) and thirty years later completely absent from the Metropolitan Museum of Art’s retrospective exhibition The Pictures Generation, 1974-1984. In a previous post I questioned Smith’s absence from Pictures. Magazine. Last year he came out with a memoir entitled Walking Through Walls. Novem...

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A Searing Critique.: September 2009

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A poorly punned blog reflecting on LA's modern art scene. Tuesday, September 29, 2009. I found this while searching YouTube and the themes highlighted in the clip were fairly discouraging. This is a little trailer for the movie Who Does She Think She Is? Within seconds into the clip, the viewer is compelled to question the true impact of the modern feminist art we have discussed in class. Why is it that random, seemingly educated, male New Yorkers can't think of any female artists? While the individual s...

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Los Angeles Art Vernacular: Rebecca Campbell: Nostalgic Dreaming

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Los Angeles Art Vernacular. Monday, October 12, 2009. Rebecca Campbell: Nostalgic Dreaming. Rebecca Campbell, Daddy Daughter Date, 2009. During our class discussion of contemporary painters last week, I was reminded of a Los Angeles-based Artist, Rebecca Campbell. Whose work I saw last February at LA Louver Gallery. Rebecca Campbell, Do You Want to Hurt Me? Rebecca Campbell, Satellite, 2008. Rebecca Campbell, Rainbow After Dark, 2009. Rebecca Campbell, Gretel, 2009. Rebecca Campbell, Snow Queen, 2008.

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Los Angeles Art Vernacular: The Los Angeles Municipal Art Gallery: National Print Exhibition

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Los Angeles Art Vernacular. Wednesday, November 18, 2009. The Los Angeles Municipal Art Gallery: National Print Exhibition. Wandering through Barnsdale Park in Los Feliz this past weekend, I stumbled upon an enormous printmaking exhibition at the Los Angeles Municipal Art Gallery. Although different stylistically, I felt that these two artists' works communicated with one another through addressing similar themes of identity and character. March 3, 2011 at 8:35 AM. JenClare B. Gawaran. Http:/ clart1975&#...

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Los Angeles Art Vernacular: Exhibition Review III: Monster Drawing Rally 2009, The Outpost for Contemporary Art

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Los Angeles Art Vernacular. Wednesday, November 11, 2009. Exhibition Review III: Monster Drawing Rally 2009, The Outpost for Contemporary Art. Walking in between clusters of slightly intoxicated guests to the circle of tables where the artists produced their works under the curious eyes of spectators, I was quickly drawn to the paintings of a young artist, Jessica Minckley. Jessica Minckley, Without Representation. Max Ernst, Untitled. Brian Bress, D.B. Sarajo Frieden, Landscape I.

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Strictly ARTness in: Glorious Excess - Review # 1

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Thursday, October 1, 2009. Glorious Excess - Review # 1. In the next few days the Japanese American National Museum will close a show that defies the typical associations with the traditional Japanese artistic culture; it is neither humble nor respectful. In comparison to the museum’s other current exhibit that showcases traditional Kokeshi dolls and their contemporary reinterpretations, Mike Shinoda’s “Exhibition Excess (Dies)” show does not hesitate to allure and play with t...8221; deface every poster.

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Views of Los Angeles

Views of Los Angeles. Thursday, November 26, 2009. Exhibition Review #4: Chuck Close. First, a confession: the exhibition about to be chronicled is not in. And therefore technically does not fit within the scope of this blog. However, while at home in. For Thanksgiving, I had the opportunity to view “Chuck Close Prints:. Process and Collaboration ,”. An exhibition of Chuck Close prints currently showing at the San Jose Museum of Modern Art. Featuring more 125. Arning, Close t. Over the last 40 years, Clo...

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