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Tuesday, April 24, 2007. A next version of diagram- reclarification of linear relationships. also, this diagram will serve as a "cut sheet" and construction template for surface generation. Tuesday, April 17, 2007. The Asylum Scene in The Conformist. Preliminary diagram of line/object/frame relationships over time. Monday, April 16, 2007. Preston Scott Cohen's exploitation of the perspective hinge. How would I explain the value of Perez-Gomez's writings regarding the "perspective hinge" to my mom? I have...

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lostritto|arch670|UMD | lostritto670umd.blogspot.com Reviews

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Tuesday, April 24, 2007. A next version of diagram- reclarification of linear relationships. also, this diagram will serve as a cut sheet and construction template for surface generation. Tuesday, April 17, 2007. The Asylum Scene in The Conformist. Preliminary diagram of line/object/frame relationships over time. Monday, April 16, 2007. Preston Scott Cohen's exploitation of the perspective hinge. How would I explain the value of Perez-Gomez's writings regarding the perspective hinge to my mom? I have...

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lostritto|arch670|UMD | lostritto670umd.blogspot.com Reviews

https://lostritto670umd.blogspot.com

Tuesday, April 24, 2007. A next version of diagram- reclarification of linear relationships. also, this diagram will serve as a "cut sheet" and construction template for surface generation. Tuesday, April 17, 2007. The Asylum Scene in The Conformist. Preliminary diagram of line/object/frame relationships over time. Monday, April 16, 2007. Preston Scott Cohen's exploitation of the perspective hinge. How would I explain the value of Perez-Gomez's writings regarding the "perspective hinge" to my mom? I have...

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lostritto670umd.blogspot.com

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lostritto|arch670|UMD: project one [section+surface+frame+motion]

http://www.lostritto670umd.blogspot.com/2007/03/project-one-sectionsurfaceframemotion.html

Monday, March 26, 2007. Project one [section surface frame motion]. File size: 14.2MB. I have always thought of the film industry as ahead of architecture in terms of integrating and embracing technology as a key player in shaping our respective products. Its easy to trace the potential causes of this phenomenon:. The film industry is much newer than architecture and therefore has less of a tendency for crippling nostalgia. A great movie review, From Here to Thermopylae. My point is the liberation movies...

2

lostritto|arch670|UMD: Asylum Scene

http://www.lostritto670umd.blogspot.com/2007/04/asylum-scene.html

Tuesday, April 24, 2007. A next version of diagram- reclarification of linear relationships. also, this diagram will serve as a "cut sheet" and construction template for surface generation. Subscribe to: Post Comments (Atom). The Asylum Scene in The Conformist. Preston Scott Cohens exploitation of the perspect. Time and the fork in the road (plus the spoon in r. View my complete profile.

3

lostritto|arch670|UMD: The Conformist

http://www.lostritto670umd.blogspot.com/2007/04/conformist.html

Tuesday, April 3, 2007. This] film really just expresses film.". Subscribe to: Post Comments (Atom). The Asylum Scene in The Conformist. Preston Scott Cohens exploitation of the perspect. Time and the fork in the road (plus the spoon in r. View my complete profile.

4

lostritto|arch670|UMD: Preston Scott Cohen's exploitation of the perspective hinge

http://www.lostritto670umd.blogspot.com/2007/04/preston-scott-cohens-exploitation-of.html

Monday, April 16, 2007. Preston Scott Cohen's exploitation of the perspective hinge. How would I explain the value of Perez-Gomez's writings regarding the "perspective hinge" to my mom? Subscribe to: Post Comments (Atom). The Asylum Scene in The Conformist. Preston Scott Cohens exploitation of the perspect. Time and the fork in the road (plus the spoon in r. View my complete profile.

5

lostritto|arch670|UMD: time and the fork in the road (plus the spoon in reality) and [the knife and the slice (title revision pending)]

http://www.lostritto670umd.blogspot.com/2007/04/time-and-fork-in-road-plus-spoon-in.html

Tuesday, April 3, 2007. Time and the fork in the road (plus the spoon in reality) and [the knife and the slice (title revision pending)]. The speed of light does not merely transform the world. It becomes the world. Globalisation is the speed of light." -Paul Virilio. Tehrani and Ponce de Leon have gone a level deeper in discovering meaning in the physical conditions that can be controlled given versioning applied to form generation. More specifically, "the divorce of surface and space.".

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dickson670umd.blogspot.com

dickson|arch670|UMD: May 2007

http://dickson670umd.blogspot.com/2007_05_01_archive.html

Friday, May 18, 2007. Tuesday, May 8, 2007. My process thus far:. Digitally model the animation. Physically model the digital model. What emerged from this process was a set of drawings used in the constructrion of the physical artifact that were far more compelling than either the animation or the artifact itself. My intention is to begin the process all over again, using the new, emergent diagram as a basis for future investigations. Tuesday, May 1, 2007. Subscribe to: Posts (Atom).

yazdanseta670umd.blogspot.com

yazdanseta|arch670|UMD: Coop Himmelb(L)au Quote:

http://yazdanseta670umd.blogspot.com/2007/02/coop-himmelblau-quote.html

This blog is dedicaed to arch670 and Professor Michael Ambrose. Friday, February 16, 2007. Nothing is left to us of the architecture of past epochs, just as we can no longer derive any benefit from the literary and historical teaching given in schools." (1926). February 19, 2007 at 6:57 AM. Subscribe to: Post Comments (Atom). Project 1c ComPoSitiOnaL diSpLaCeMenT. ReaDing SyNopSis: WaRping sPaCe. Project 1b ComposiTional Frames pRoCess. Project 1b ComposiTional Frames. View my complete profile.

yazdanseta670umd.blogspot.com

yazdanseta|arch670|UMD: May 2007

http://yazdanseta670umd.blogspot.com/2007_05_01_archive.html

This blog is dedicaed to arch670 and Professor Michael Ambrose. Monday, May 14, 2007. Tuesday, May 8, 2007. Subscribe to: Posts (Atom). MArch 2008 University of Maryland MSAAD 2010 Columbia University GSAPP. View my complete profile.

yazdanseta670umd.blogspot.com

yazdanseta|arch670|UMD: February 2007

http://yazdanseta670umd.blogspot.com/2007_02_01_archive.html

This blog is dedicaed to arch670 and Professor Michael Ambrose. Tuesday, February 27, 2007. Project 1c ComPoSitiOnaL diSpLaCeMenT. Friday, February 16, 2007. One can never know at the same time what is the condition of society, its so-called 'zeitgeist', and how architecture should respond to it. One has always had to go outside of architecture. I have had to do so in order to address the question of 'what should I do? Tuesday, February 13, 2007. ReaDing SyNopSis: WaRping sPaCe. Here I share with you a p...

yazdanseta670umd.blogspot.com

yazdanseta|arch670|UMD: March 2007

http://yazdanseta670umd.blogspot.com/2007_03_01_archive.html

This blog is dedicaed to arch670 and Professor Michael Ambrose. Tuesday, March 13, 2007. Project 1d fiNaL viRtUaL pRoJeCtIoN. Subscribe to: Posts (Atom). Project 1d fiNaL viRtUaL pRoJeCtIoN. MArch 2008 University of Maryland MSAAD 2010 Columbia University GSAPP. View my complete profile.

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yazdanseta|arch670|UMD: Project_2a

http://yazdanseta670umd.blogspot.com/2007/04/project2a.html

This blog is dedicaed to arch670 and Professor Michael Ambrose. Tuesday, April 10, 2007. Subscribe to: Post Comments (Atom). ProJecT 2a ProcEdUrAL sEqUeNcE. SPatiAL TemPoRaL SeqUenCe ConsTrUcTeD MorPHoloGY V. MArch 2008 University of Maryland MSAAD 2010 Columbia University GSAPP. View my complete profile.

dickson670umd.blogspot.com

dickson|arch670|UMD: January 2007

http://dickson670umd.blogspot.com/2007_01_01_archive.html

Tuesday, January 30, 2007. A room full of monkeys with typewriters . . . will they eventually make Shakespeare? What makes a group of blind and completely unintelligent ants work together in such a beautifully choreographed way? How can thousands of fireflies in Thailand blink with complete synchronization? The next and seemingly obvious question (at least for me) is: "How can a study of emergence be a generator of architectural forms? Subscribe to: Posts (Atom).

dickson670umd.blogspot.com

dickson|arch670|UMD: experience_vs_perception

http://dickson670umd.blogspot.com/2007/04/experiencevsperception.html

Friday, April 27, 2007. Ster·e·ot·o·my. Ster-ee-ot-uh-mee] noun the technique of cutting solids, as stones, to specified forms and dimensions. Preston Scott Cohen’s Stereotomic Permutation. With this new rubric, we can begin to understand Cohen’s intentions. Can the perception of architecture, both conceptually and physically, merge with the experience of architecture? In other words, is it possible to design a form whereby we both see and understand it simultaneously? Subscribe to: Post Comments (Atom).

dickson670umd.blogspot.com

dickson|arch670|UMD: proj2_status

http://dickson670umd.blogspot.com/2007/04/proj2status.html

Monday, April 23, 2007. Subscribe to: Post Comments (Atom). Architectural Representation and the Perspective H.

amaral670umd.blogspot.com

amaral|arch670|UMD: January 2007

http://amaral670umd.blogspot.com/2007_01_01_archive.html

Tuesday, January 30, 2007. Subscribe to: Posts (Atom). View my complete profile.

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Carl Lostritto

The limits of digital computation are as profound as the human eye is powerful. This work is the result of a hybrid approach to computational drawing that positions the human in two key roles: first, that of programmer; second, that of drawing agent. more. Hagerty House 1.011 is an experiment in architectural versioning and representation. more. The Value of Randomness in Art and Design. Randomness is not a new concept. For example, a method for random selection essentially drawing one lot from many ...

lostritto670umd.blogspot.com

lostritto|arch670|UMD

Tuesday, April 24, 2007. A next version of diagram- reclarification of linear relationships. also, this diagram will serve as a "cut sheet" and construction template for surface generation. Tuesday, April 17, 2007. The Asylum Scene in The Conformist. Preliminary diagram of line/object/frame relationships over time. Monday, April 16, 2007. Preston Scott Cohen's exploitation of the perspective hinge. How would I explain the value of Perez-Gomez's writings regarding the "perspective hinge" to my mom? I have...

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